Akai

Explore 21 Akai vintage synthesizer models — specs, production history, reviews, and market values in the VTA archive.

Models

Reel To Reel, Cassette

Akai - Reel-to-Reel Pioneers — Founded in 1929 as a radio components manufacturer. Became legendary for affordable, reliable reel-to-reel tape recorders from 1954-1985.

Amplifiers

AA-1020 (1972) — Akai AA-1020 (1976–1979) — AM/FM stereo receiver with 20W/channel output and warm mid-70s sound. A modest performer with cult appeal among vintage starters.
AA-5000 (1978) — Akai AA-5000 (1966–1969) — solid-state pre-main amplifier with 35W/ch, OTL design, tape head equalizer, and DIN connectivity. A rare Japanese integrated from Akai’s early transistor era.
AA-5210 (1975) — A compact and reliable Akai integrated amplifier from the mid-1970s, designed for use with reel-to-reel recorders and basic stereo systems.
AA-5500 (1978) — A high-end, modular audio amplifier system from Akai, known for its precision engineering and audiophile-grade performance.
AA-6600 (1975) — Akai AA-6600 (1970–1973) solid-state stereo receiver with IHF music power rated at 120W total; sparse specs but noted in period ads for high-performance audio systems
AA-8080 (1978) — A rare and versatile Akai integrated audio processor combining preamplifier, tone controls, and tape monitoring functions, designed for high-fidelity systems of the late 1970s.
AA-8500 (1978) — Akai AA-8500 (1973) solid-state AM/FM stereo receiver, 16 kg, paired with GX-365D tape deck — powerful, rare, and built for high-efficiency speakers.
AM-2400 (1978) — A high-quality open-reel tape demagnetizer from Akai, designed to maintain tape head performance in professional and enthusiast reel-to-reel setups.
AM-2450 (1977–1980) — Akai AM-2450 (1979–1980) stereo integrated amplifier, 45W/ch, 10Hz–60kHz response — a clean, mid-tier solid-state performer with aging capacitor concerns.
AM-2600 (1977) — Akai AM-2600 (1977–1979) — 60W/channel solid-state integrated amplifier from Japan. At 10.5kg, it's a heavy hitter with clean sound and fast meters.
AM-2650 (1975) — Akai AM-2650 (1979–1980) integrated amplifier with 65W/channel and 0.08% THD — a rare, serviceable Japanese solid-state design from the early 1980s.
AM-2850 (1975) — The Akai AM-2850 (1979) delivers 85W/ch with 0.03% THD and glowing power meters. Specs, owner reviews, and collector pricing for this underrated integrated amplifier.
AM-32 (1978) — Akai AM-32 (1987–1989) — a reliable mid-tier integrated amplifier from Japan, rated at 50W per channel, originally priced at 599 DM. Favored for digitization due to neutral sound.
AM-52 (1975) — A compact and reliable Akai AM-52 microphone preamplifier from the mid-1970s, designed for studio and field recording applications.
AM-67 (1975) — A rare and compact Japanese stereo preamplifier from the mid-1970s, known for its clean signal path and minimalist design.
AM-69 (1972) — A rare and versatile Japanese multi-function audio console from the early 1970s, the Akai AM-69 combined mixing, amplification, and tape monitoring in a single desktop unit.
AM-73 (1973) — A rare and enigmatic Akai AM-73, believed to be a specialized audio monitor or test device from the early 1970s.
AM-A 90 (1986) — Akai AM-A90 (1986) integrated amplifier specifications, features, and collector info. 130W/channel, open-loop MOS-FET design, full specs table, known issues, and current eBay prices.
AM-A-70 (1978) — Akai AM-A-70 integrated amplifier with tape-to-tape dubbing, switchable MC phono input, and defeatable tone controls — a flexible hub for analog audio workflows.
AM-A301 — Japanese-built integrated amplifier from Akai’s mid-range A-Series, featuring hybrid IC design and robust construction.
AM-M-939 (1979) — A rare and distinctive Akai integrated audio module, the AM-M-939 combines tuner, preamp, and tape monitoring functions in a modular chassis designed for custom system integration.
AM-U-02 (1978) — A rare and innovative passive preamp module from Akai, designed for modular audio systems of the late 1970s.
AM-U-04 (1980) — A rare and enigmatic Akai module believed to be a preamplifier or signal processor from the early 1980s, possibly designed for professional or modular audio systems.
AM-U-06 (1978) — A rare and enigmatic Akai modular audio component, the AM-U-06 is believed to be a preamplifier or control unit from Akai's late 1970s modular system era.
AM-U-2 (1975) — Akai AM-U-2 (1975) integrated amplifier: discrete solid-state, rack-mountable, 20Hz-20kHz response, 4.9 kg. Full specifications and collector info.
AM-U04 — Stereo integrated transistor amplifier with separate MC/MM phono stages and needle VU meters
AM-U7 — Integrated stereo amplifier from the early 1980s featuring discrete open-loop design and MC phono input.
AP-B1 (1978) — A rare and distinctive Akai tape head amplifier designed to enhance playback fidelity from reel-to-reel tape decks.
AP-M10 (1978) — A premium open-reel tape monitor amplifier from Akai's professional audio line, designed for high-fidelity playback and studio monitoring.
AP-M512 (1978) — A high-quality open-reel tape monitor amplifier from Akai, designed for professional and semi-professional studio use with their tape decks.

Analog Synthesizers

AX60 — Akai AX60 (1986) 6-voice analog synth with CEM3394 chips, built-in BBD chorus, and sampler input — a hands-on alternative to the Juno
Ax73 — 6-voice analog synthesizer with velocity-sensitive 73-key keyboard and built-in chorus, released in 1986.
AX80 — Eight-voice programmable analog synthesizer with DCOs, three LFOs, and bar graph editing, released as Akai's first musical instrument.
VX90 — Rack-mount 6-voice analog synth module with CEM3394 chips, menu-driven interface, and MIDI control, identical to the AX73.

Cassette Decks

GX-52 (1975) — Akai GX-52 (1975) open-reel tape deck with three-head design, quartz servo, 15 ips, 30Hz–18kHz response — a durable workhorse for broadcasters and audiophiles.
GX-6 (1971) — A high-end open-reel tape recorder from Akai's golden era, prized for its build quality and audiophile-grade performance.
GX-7 (1970) — A high-end open-reel tape recorder from Akai's golden era, prized for its precision engineering and audiophile-grade sound reproduction.
GX-8 (1975) — A high-end open-reel tape recorder from Akai, prized for its professional build and audiophile-grade sound quality.
GX-9 (1975) — Akai GX-9 (1985) cassette deck with three-head design, dual-capstan transport, and Dolby B/C. Praised for deep bass and precise level metering.
GX-95 (1975) — A high-end open-reel tape recorder from Akai, known for professional-grade performance and build quality.
GX-F31 (1979) — A high-end open-reel tape recorder from Akai's golden era, known for exceptional build quality and audiophile-grade performance.
GX-F35 (1977) — A compact and reliable open-reel tape recorder from Akai's respected GX series, designed for home and semi-professional use.
GX-F44R (1979) — A high-performance 4-track stereo reel-to-reel recorder designed for semi-professional and enthusiast use, featuring advanced transport mechanics and excellent audio fidelity.
GX-F66RC (1981) — A high-end open-reel tape recorder from Akai, known for its precision engineering and audiophile-grade analog performance.
GX-F71 (1979) — A high-end open-reel tape recorder from Akai, known for its precision engineering and audiophile-grade sound quality.
GX-F80 (1979) — A high-end open-reel tape recorder from Akai's golden era, the GX-F80 delivers professional-grade analog sound with precision engineering and audiophile-focused design.
GX-F90 (1978) — A high-end open-reel tape recorder from Akai's golden era, the GX-F90 delivers professional-grade performance with audiophile refinement.
GX-F91 (1978) — A high-end open-reel tape recorder from Akai, known for professional-grade build and audiophile sound quality.
GX-F95 (1978) — Akai GX-F95 cassette deck with 0.028% wow and flutter, Super GX3 heads, and quartz-lock DD drive — a rare high-end analog statement.

Cassette Decks

AA-5200 (1978) — A high-quality, dual-motor cassette deck from Akai known for solid build and accurate tape reproduction.
AP-001 (1975) — Akai AP-001 (1978) — a 2-speed belt-drive turntable made in Japan, featuring a 300mm die-cast platter and 4-pole motor, known for solid build and serviceable design
AP-003 (1980) — Akai AP-003 (1976–1977) — 2-speed semi-automatic belt-drive turntable with 300mm platter and 4-pole motor. A durable, no-frills deck with cult appeal among vintage audio fans.
AP-007 (1985) — A compact cassette adapter from Akai, designed to connect portable audio devices to car stereos and tape decks.
AP-307 (1978) — The Akai AP-307 is a quartz-locked, fully automatic turntable from 1978 that delivers studio-grade speed stability and refined operation in a stealthy, well-built package.
AP-B20 (1978) — A precision dual-capstan cassette transport designed for professional and high-end home audio applications.
BT-500 (1978) — A premium Akai cassette deck from the late 1970s, known for solid build and advanced tape transport design.
CR-80D (1980) — Akai CR-80D (1971–1975) — 8-track stereo cartridge deck with 2-head design and 9.5 cm/s transport. A well-engineered snapshot of early 1970s home audio.
CR-83D (1978) — Akai CR-83D from the mid 1970s, an 8-track stereo cartridge tape deck with auto-stop and continuous play, valued by collectors at over $450 when serviced.
CS-30D (1977) — A compact and reliable cassette deck from Akai, designed for high-fidelity home audio use in the late 1970s.
CS-702D (1985) — A high-end dual cassette deck from Akai featuring dbx noise reduction, auto-reverse functionality, and professional-grade tape transport.
CS-703D (1982) — A high-end dual cassette deck from Akai featuring Dolby C, dual motors, and quartz-lock transport for precise tape operation.
CS-707D (1981) — A high-end cassette deck from Akai's golden era, the CS-707D features dual capstan transport, Dolby B/C, and advanced monitoring options.
CS-732D (1980) — A high-quality open-reel dual cassette deck from Akai, known for its twin-deck configuration and professional-grade tape transport.
CS-F11 (1979) — A compact and stylish cassette player from Akai, designed for portability and convenience in the late 1970s.
CS-F12 (1979) — A compact and stylish Akai cassette player from the late 1970s, the CS-F12 offered solid performance for home and personal use during the height of the cassette era.
CS-F14 (1983) — A compact and reliable cassette deck from Akai, designed for portability and consistent tape performance.
CS-F21 (1982) — A compact cassette deck from Akai's early 1980s lineup, the CS-F21 offered reliable performance for home and portable use.
CS-F33R (1985) — The Akai CS-F33R (1981) flips cassette sides in 0.5 seconds with a bi-drive system and HD head. Specs, history, and real market prices.
CS-F36R (1985) — A rare Akai cassette deck with advanced features for its era, the CS-F36R offers solid build quality and analog warmth for cassette enthusiasts.
CS-F39R (1984) — A compact dual cassette deck from Akai, the CS-F39R offered basic tape functionality for home and portable use in the mid-1980s.
CS-M40A (1982) — A compact cassette deck system from Akai, combining portability with solid mid-tier performance for home and mobile use.
DX-59 (1983) — The Akai DX-59 (1993) is a 3-head cassette deck with Dolby C, HX PRO, and dual-capstan drive. Specs, history, and real market prices.
GX-260D (1979) — Akai GX-260D (c.1973) — 20.8 kg reel-to-reel deck with center capstan, GX heads, and 3-motor transport. A precision machine for serious tape work.
GX-265D (1979) — A high-performance dual-capstan cassette deck from Akai, known for its precision engineering and professional-grade tape transport.
GX-266-II (1978) — A high-performance dual-capstan 3-head cassette deck from Akai, known for excellent build quality and audiophile-grade tape reproduction.
GX-266D (1978) — A dual-deck cassette recorder from Akai's professional and semi-pro GX series, known for solid build and tape alignment precision.
GX-270D-SS (1977) — A high-quality, dual-capstan cassette deck from Akai known for excellent build, smooth transport, and audiophile-grade performance.
GX-280D-SS (1979) — The Akai GX-280D-SS (1972–1976) is a 4-channel reel-to-reel deck with GX heads, 0.06% wow/flutter, and NAB eq. Specs, history, and real market value.
GX-285D (1978) — Akai GX-285D (1973?) — 3-head, 3-motor open-reel deck with Dolby, GX heads, and servo drive. A rare high-end machine.
GX-365D (1978) — Akai GX-365D (1970) — a 25.5 kg professional reel-to-reel tape deck with Glass & Crystal Ferrite heads, 4 tape speeds up to 38 cm/s, and studio-grade specs including 28 kHz response and 0.04% wow and …
GX-370D (1978) — A high-quality dual-capstan cassette deck from Akai, known for solid build and excellent tape performance.
GX-400D-SS (1979) — A high-end dual-capstan cassette deck from Akai's golden era, known for precision engineering and exceptional tape handling.
GX-600DB (1978) — A high-end dual-transport cassette deck from Akai, known for exceptional build quality and professional-grade performance.
GX-630D (1978) — A high-end 1/4-inch stereo reel-to-reel tape deck from Akai, known for professional build quality and exceptional analog sound reproduction.
GX-630D-SS (1977) — A high-end dual-capstan cassette deck from Akai, known for precision engineering and professional-grade tape transport.
GX-635D (1978) — A high-end dual-capstan 3-head cassette deck from Akai, known for precision engineering and studio-grade performance.
GX-636 (1979) — A high-end 3-head open-reel tape deck from Akai, known for exceptional build quality and professional-grade performance.
GX-650D (1977) — A high-end dual-capstan cassette deck from Akai, known for exceptional mechanical precision and audiophile-grade sound reproduction.
GX-747DBX (1981) — A high-end dual-capstan cassette deck with DBX noise reduction, renowned for its precision engineering and audiophile-grade performance.
GXC-310 (1983) — A compact and reliable stereo cassette deck from Akai, designed for home and portable use with solid build and warm analog sound.
GXC-310D (1985) — A compact, dual-cassette auto-reverse transport system designed for convenient tape dubbing and playback.
GXC-325D (1985) — A compact and reliable dual cassette deck from Akai, designed for home dubbing and basic tape recording with solid build and user-friendly operation.
GXC-36 (1984) — A high-end dual cassette deck from Akai known for its precision engineering and professional-grade tape transport.
GXC-36D (1983) — A high-quality 3-head auto-reverse cassette deck from Akai, known for solid build and excellent tape performance.
GXC-38 (1982) — A compact and reliable Akai cassette transport module designed for integration into multi-component audio systems.
GXC-38D (1983) — A high-quality 3-head auto-reverse cassette deck from Akai, known for precise mechanics and warm analog sound.
GXC-39 (1981) — Akai GXC-39 (1976–1977) — a basic top-loading stereo cassette deck with 4-track/2-channel operation, FeCr tape support, and a role in Akai’s international rebadging strategy.
GXC-39D (1983) — A compact, dual-well cassette deck from Akai with auto-reverse functionality and Dolby B noise reduction, designed for convenience and portability.
GXC-40 (1978) — A high-end 4-track cassette recorder from Akai, designed for multitrack home recording and professional demo use.
GXC-40D (1984) — A compact and reliable dual cassette deck from Akai, designed for home dubbing and tape maintenance.
GXC-44D (1984) — A compact and reliable Akai cassette deck from the mid-1980s, the GXC-44D offers solid performance for casual listeners and collectors.
GXC-46 (1981) — Akai GXC-46 (1973–1975) 2-head cassette deck with GX heads, 0.07% wow & flutter, wood sides — built for serviceability.
GXC-65D (1985) — A high-quality dual cassette deck from Akai, the GXC-65D offers solid build, Dolby B/C noise reduction, and precise tape handling for enthusiasts and archivists.
GXC-730D (1984) — A high-end dual cassette deck from Akai featuring advanced tape transport and Dolby HX Pro for professional-grade analog recording.
GXC-735D (1984) — A high-quality 3-head auto-reverse cassette deck from Akai, known for solid build and excellent tape performance.
X-2000SD (1982) — A high-end stereo cassette deck from Akai featuring dual capstan drive, Dolby S noise reduction, and advanced tape transport mechanics.

Cd Players

CD-37 — A mid-tier CD player from Akai’s Classic Series, featuring a dual-converter DAC design and SONY laser mechanism.

Digital Synthesizers

MINIAK — A virtual analog synthesizer with 8-voice polyphony and a 37-key velocity-sensitive keyboard

Drum Machines

MR16 — A rhythm oscillator bank using analog-generated sounds, part of Akai's 1980s 'microstudio' system
Rhythm Wolf — Analog drum machine and monophonic bass synth with 5-voice polyphony, released during the 2010s analog revival.
XE-8 — Rack-mount 16-bit MIDI drum expander with programmable sample playback and ROM card expansion
XR10 — A 1990 Japanese drum machine using PCM samples, 8-voice polyphony, and a Z80 CPU, designed for electro and industrial rhythms.

Receivers

AA-1010 — A compact cap-coupled receiver from Akai’s 1976 lineup, featuring FM/AM tuning, preset station selection, and a brushed aluminium faceplate.
AA-A25 — Computer-controlled stereo receiver made in Japan with touch-panel controls and digital tuning.
AM-16 (1975) — A rare and distinctive passive monitor speaker system from Akai, designed for studio and high-fidelity home use in the mid-1970s.

Reel To Reel

GX-4000D — A Japanese-made, 4-track stereo reel-to-reel recorder with GX ferrite heads, released in October 1978 as the final model in Akai’s 4000 series.

Samplers

CD3000XL — A 32-voice stereo digital sampler with CD-ROM and hard disk recording, released in 1996 as Akai's second dedicated CD-ROM sampler.
MPC Element — Compact USB-powered pad controller with included MPC Essentials software, introduced in 2013 as the smallest and most affordable MPC at the time.
MPC Key 61 — The first MPC with a built-in keyboard, combining a 61-note synth-action keybed with a full standalone production workstation.
MPC Live II — A standalone music production workstation released in May 2020, featuring a 7-inch touchscreen and 16 velocity-sensitive RGB pads.
MPC One — A compact, standalone sampling workstation with touch interface, built-in synths, and CV/Gate support.
MPC Renaissance — A hybrid music production controller combining hardware interface with software integration, favored in hip-hop production.
MPC Touch — A hybrid sampling workstation with a 7-inch multi-touch display, requiring a Mac or PC to operate.
MPC1000 — 32-voice sampler/sequencer with 16-bit/44.1 kHz sampling, expandable RAM, and 64 tracks per sequence.
MPC2000XL — 16-pad music production center with 64-track sequencing and time-stretch processing, co-designed by Roger Linn.
MPC2500 — Standalone music production center with 32-voice polyphony, 16 velocity- and pressure-sensitive pads, and 128MB expandable memory.
MPC3000 (1994-2000) — The MPC3000 wasn’t just a sampler—it was the rhythmic backbone of 1990s hip-hop, a tactile temple of groove where 16 rubber pads met 32 voices of 16-bit soul.
MPC4000 — Standalone 24-bit music production workstation with 96kHz sampling, 64-voice polyphony, and SCSI/USB connectivity.
MPC500 — Portable sampler and sequencer workstation developed with Roger Linn, released in 2006 as the first battery-powered MPC.
MPC5000 — A sampling workstation with a built-in virtual analog synth engine, released as Akai's flagship MPC in 2008.
MPC60 (1988-1991) — A 12-bit powerhouse with swing so deep it rewired the rhythm of hip-hop, the MPC60 wasn’t just a sampler—it was a studio in a box with fingerprints on every classic.
MPX16 — Compact USB-powered sampler and MIDI drum controller with 16 velocity-sensitive pads, 64-voice polyphony, and 48MB sample memory.
MPX8 — A portable sample pad controller with SD-based sample loading, announced at NAMM 2013.
S01 — 16-bit rackmount sampler with 8-voice polyphony and 32 kHz sampling rate
S1000 (1988-1993) — A no-nonsense, studio-grade digital sampler that delivered broadcast-quality audio and surgical editing—without the astronomical price tag of its rivals.
S1000 MkII (1990-1993) — The Akai S1000 MkII (1990–1993) is a 16-bit stereo sampler prized for its surgical sample clarity, SCSI expandability, and studio-grade 8-output routing.
S1100 (1993-1996) — The Akai S1100 (1990–1996) brought 24-bit processing, onboard effects, and SCSI to the studio standard sampler—rugged, reliable, and heard on countless '90s hits.
S20 — Compact stereo phrase sampler designed for DJs and home studios, featuring resampling, beat looping, and floppy-based storage.
S2800 — A professional rackmount MIDI stereo digital sampler with 32-voice polyphony and high-resolution audio conversion.
S3200 — 3U rack-mounted 16-bit digital sampler with built-in effects, digital I/O, and expandable memory.
S3200XL — 32-voice 16-bit digital sampler with expanded memory, standard effects, and resonant filters in a 3U rack format.
S612 (1985-1986) — A 12-bit, six-voice rackmount sampler with analog filtering and real-time sample editing, released in 1985.
S700 (1987) — 12-bit rackmount MIDI sampler with 6-voice polyphony, built-in QuickDisk drive, and expandable memory, made in Japan.
S900 (1986-1990) — With 32-note polyphony, real-time editing, and floppy-based reliability, the Akai S900 wasn’t just a sampler—it was a studio revolution in a 12.5 kg chassis.
S950 (1988-1993) — The Akai S950 defined 12-bit hip-hop grit—time stretching, 8 outs, and raw character made it a '90s beatmaking legend.

Speakers

AA-6200 (1975) — Akai AA-6200 (1974–1975) — solid-state stereo receiver with silicon transistors, ICs, and wood cabinet. Original price ~1,595 DM.
AA-R30 (1978) — Akai AA-R30 (1978) active bookshelf speaker with 8W RMS amp, 4.5-inch driver, passive radiator — a rare early integrated design from the Japanese audio pioneer
AM-2350 (1975) — The Akai AM-2350 (1979–1980) is a solid-state integrated amplifier offering 35W/ch, full analog connectivity, and vintage VU meters—praised for honest sound and reliability.
AM-55 (1968) — A classic Akai AM-55 dynamic microphone from the late 1960s, prized for its warm vocal capture and rugged build quality.
AM-65 (1975) — A high-quality passive audio monitor from the 1970s, designed for studio and broadcast use.
AM-A-200 (1979) — A rare and distinctive active loudspeaker system from Akai, blending Japanese engineering with modular audio design.
AM-M-739 (1978) — A rare and distinctive Akai multi-function audio module, likely designed for integration in custom audio systems or professional applications.
AM-U-01 (1982) — A rare and enigmatic Akai accessory module believed to be a monitor control or audio routing unit from the early 1980s.
AM-U-1 (1975) — Akai AM-U-1 (1975) specialized audio module: compact metal chassis, analog discrete circuitry, rack-mountable. Full specifications and collector info.
AM-U-110 (1977) — A rare and unique active speaker system from Akai, combining compact design with integrated amplification for its era.
AM-U-33 (1975) — A rare and compact passive speaker management unit from Akai, designed for early hi-fi systems and multi-speaker setups.
AM-U-330 (1979) — A high-quality passive speaker management unit from Akai, designed for professional and audiophile use in the late 1970s.
AM-U-5 (1979) — A high-quality passive speaker management unit from Akai, designed for professional and audiophile use in the late 1970s.
AM-U-55 (1976) — A high-quality passive speaker management unit from Akai's professional audio line, designed for studio and broadcast use in the 1970s.
AM-U-61 (1975) — A rare and compact Japanese-designed audio module, the Akai AM-U-61 is a unique component from Akai’s experimental era of modular audio systems.
AP-206 (1975) — The Akai AP-206 (1978) is a direct-drive turntable with 0.035% wow/flutter, S-shaped arm, and quartz-locked speed. Specs, history, and collector pricing.
AT-2200 (1974) — Akai AT-2200 (1976–1979) — a mid-tier FM/AM tuner with illuminated dial and silver finish, noted for clean design and modest collectibility.
CS-M40R (1983) — A compact and stylish personal audio system from Akai, combining AM/FM radio, cassette playback, and dual speakers in a space-saving design.
GX-1820 (1978) — A professional-grade 1/4-inch stereo reel-to-reel tape recorder from Akai, known for durability and broadcast-quality audio performance.
GX-365 (1975) — Akai GX-365 (1975) — 3-head, dual-capstan reel-to-reel deck with Glass & Crystal Ferrite heads, 0.04% wow/flutter, 30Hz–28kHz response. A prosumer analog powerhouse.
GX-57 (1975) — A high-end open-reel tape recorder from Akai's golden era, prized for its precision engineering and audiophile-grade sound quality.
GX-600 (1975) — A high-end open-reel tape recorder from Akai, prized for its professional build and audiophile-grade performance.
GX-620 (1976) — A high-end open-reel tape recorder from Akai, prized for its build quality, precise transport, and audiophile-grade sound reproduction.
GX-625 (1978) — A high-end 1/4-inch 2-track open reel tape recorder from Akai, prized for its professional build and audiophile-grade performance.
GX-646 (1978) — A high-end 1/4-inch 3-head professional reel-to-reel tape recorder known for its precision engineering and studio-quality sound.
GX-650 (1977) — A high-end open-reel tape recorder from Akai, prized for its professional build and audiophile-grade sound quality.
GX-65MKII (1978) — A high-end open-reel tape recorder prized for its robust build, precise mechanics, and audiophile-grade sound quality.
GX-75 (1976) — A high-end open-reel tape recorder from Akai, prized for its build quality and professional-grade performance.
GX-75MKII (1977) — A high-end open-reel tape recorder from Akai, prized for its professional build, excellent transport, and audiophile-grade sound quality.
GX-77 (1977) — A high-end open-reel tape recorder from Akai, renowned for its precision engineering and professional-grade audio performance.
GX-911 (1978) — A high-end open-reel tape recorder from Akai, known for professional build quality and audiophile-grade performance.
GX-95MKII (1979) — A high-end open-reel tape recorder renowned for its precision engineering and audiophile-grade sound quality.
GX-F37 (1977) — A compact and reliable reel-to-reel recorder from Akai, designed for home and semi-professional use in the late 1970s.
GX-F60R (1978) — A high-quality open-reel tape recorder from Akai's golden era, known for solid build and excellent analog sound reproduction.
SS-100 (1978) — A compact and stylish passive speaker selector switch from the late 1970s, designed for managing multiple speaker pairs in stereo systems.
SS-120 (1978) — A compact and reliable stereo speaker selector switch from Akai, designed for multi-room audio setups in the late 1970s.
SS-88A (1978) — A rare and distinctive passive speaker selector switch from Akai, designed for multi-room audio setups in the late 1970s.
SW-120 (1978) — A rare and compact Akai subwoofer system from the late 1970s, designed to enhance bass response in stereo setups.
SW-120A (1980) — A compact active subwoofer from the early 1980s, designed to enhance low-frequency response in stereo systems.
SW-121 (1979) — A compact, high-quality passive subwoofer system designed to enhance bass response in vintage speaker setups.
SW-121A (1975) — A compact and stylish passive subwoofer enclosure from Akai, designed to enhance bass response in vintage stereo systems.
SW-131A (1978) — A high-quality passive subwoofer from Akai, designed to enhance bass response in stereo systems of the late 1970s.
SW-155 (1975) — A high-quality passive subwoofer enclosure from Akai, designed to enhance bass response in vintage stereo systems.
SW-156 (1978) — A high-quality passive subwoofer from Akai, designed to enhance bass response in stereo systems during the late 1970s.
SW-157 (1978) — A rare and robust studio-grade subwoofer enclosure from Akai, designed for professional monitoring applications in the late 1970s.
SW-161 (1978) — Akai SW-161 — 3-way floorstanding speaker, 30–20,000 Hz, 8 ohms, $200 in 1974, walnut finish, sealed cabinet
SW-170A (1975) — A high-quality passive subwoofer from Akai, designed to enhance bass response in vintage stereo systems.
SW-177 (1978) — A rare and robust studio-grade speaker switcher from Akai, designed for professional monitoring environments in the late 1970s.
SW-180 — Akai SW-180 (circa 1970) floor speaker with 12-inch LTP woofer, 102dB sensitivity, and dual horn tweeters—high-efficiency Kabuki design with collectible appeal and known repair challenges.
SW-30 (1975) — A compact and versatile stereo audio mixer from the mid-1970s, designed for use with Akai's reel-to-reel tape recorders and home recording setups.
SW-35 (1975) — A compact and stylish stereo speaker system from Akai, designed for integration with vintage receivers and compact audio setups of the 1970s.
X-1800SD (1980) — A high-performance professional reel-to-reel tape recorder from Akai, designed for studio and broadcast use with exceptional build quality and audio fidelity.

Tape Decks

GX-270D (1978) — A high-quality open-reel tape recorder from Akai's respected GX series, designed for semi-professional and serious home use.

Tuners

AM-06 (1978) — A compact and stylish AM/FM stereo tuner from Akai's late-1970s lineup, known for clean reception and integration with modular audio systems.
AM-25 (1978) — Akai AM-25 (1990–1991) — 60W/channel solid-state integrated amplifier from the early '90s, part of Akai's AM-series lineup. At 9.0 kg, it carries the weight of dependable Japanese engineering.
AM-27 (1975) — A compact and stylish AM/FM tuner from Akai's mid-1970s lineup, known for solid reception and clean design.
AM-93 (1975) — A compact and stylish AM/FM stereo tuner from Akai's mid-1970s lineup, known for solid reception and clean audio output.
AM-U-3 (1975) — A compact and stylish FM/AM tuner from Akai's mid-1970s lineup, the AM-U-3 offers solid reception and warm analog tuning charm.
AM-U-310 (1979) — A compact and stylish FM/AM stereo tuner from Akai's late-1970s lineup, known for clean reception and solid build quality.

Turntables

AP-D2 (1979-1982) — A direct-drive turntable from Akai's late-1970s audio component line — a quartz-locked direct-drive deck designed to compete with the Technics SL-1700 and Sony PS-X series in the mid-market hi-fi spac…
BT-100 (1975) — A rare and innovative Akai broadcast turntable designed for professional use in radio stations and studios.

Other Models

Akai — Vintage Synthesizer — Explore 21 Akai vintage synthesizer models — specs, production history, reviews, and market values in the VTA archive.
Akai - Reel-to-Reel Pioneers — Founded in 1929 as a radio components manufacturer. Became legendary for affordable, reliable reel-to-reel tape recorders from 1954-1985.
202D-SS — A 4-channel reel-to-reel tape deck with 3-motor drive and dual-speed capability, designed for surround stereo recording and playback.
2450 — A Japanese-built FM/AM stereo tuner from the turn of the 1980s, noted for strong FM performance and serviceable modern usability with basic restoration.
280D-SS — A discrete 4-channel reel-to-reel tape deck with automatic reverse and GX heads, built for surround stereo recording and playback.
345 — A high-end portable reel-to-reel tape recorder with three motors, three heads, and a wide frequency response, built for demanding amateur and professional
4000D — A Japanese-built reel-to-reel tape recorder from the early 1970s with a 3-head system and GX head technology
AA 5210 DB — A compact integrated amplifier from Akai, introduced in 1978, designed to pair with reel-to-reel recorders and basic stereo systems.
AA-1010 — A compact cap-coupled receiver from Akai’s 1976 lineup, featuring FM/AM tuning, preset station selection, and a brushed aluminium faceplate.
AA-1020 (1972) — Akai AA-1020 (1976–1979) — AM/FM stereo receiver with 20W/channel output and warm mid-70s sound. A modest performer with cult appeal among vintage starters.
AA-5000 (1978) — Akai AA-5000 (1966–1969) — solid-state pre-main amplifier with 35W/ch, OTL design, tape head equalizer, and DIN connectivity. A rare Japanese integrated from Akai’s early transistor era.
AA-5200 (1978) — A high-quality, dual-motor cassette deck from Akai known for solid build and accurate tape reproduction.
AA-5210 (1975) — A compact and reliable Akai integrated amplifier from the mid-1970s, designed for use with reel-to-reel recorders and basic stereo systems.
AA-5500 (1978) — A high-end, modular audio amplifier system from Akai, known for its precision engineering and audiophile-grade performance.
AA-6200 (1975) — Akai AA-6200 (1974–1975) — solid-state stereo receiver with silicon transistors, ICs, and wood cabinet. Original price ~1,595 DM.
AA-6600 (1975) — Akai AA-6600 (1970–1973) solid-state stereo receiver with IHF music power rated at 120W total; sparse specs but noted in period ads for high-performance audio systems
AA-8080 (1978) — A rare and versatile Akai integrated audio processor combining preamplifier, tone controls, and tape monitoring functions, designed for high-fidelity systems of the late 1970s.
AA-8500 (1978) — Akai AA-8500 (1973) solid-state AM/FM stereo receiver, 16 kg, paired with GX-365D tape deck — powerful, rare, and built for high-efficiency speakers.
AA-A25 — Computer-controlled stereo receiver made in Japan with touch-panel controls and digital tuning.
AA-R30 (1978) — Akai AA-R30 (1978) active bookshelf speaker with 8W RMS amp, 4.5-inch driver, passive radiator — a rare early integrated design from the Japanese audio pioneer
AM 2200 — A Japanese-built integrated amplifier from the late 1970s with built-in MM phono stage and switchable speaker outputs.
AM 2800 — A solid-state integrated stereo amplifier made in Japan, produced from 1976 to 1979.
AM A 301 — A stereo integrated amplifier with documented service support and known restoration activity.
AM M 659 — A solid-state digital integrated amplifier from the turn of the 1990s, featuring onboard D/A conversion and multiple input options.
AM U 210 — Akai AM-U 210 (1982–1984) integrated amplifier: 2x30W, 5Hz–80kHz response, 0.05% THD. Entry-level Japanese solid-state receiver with analog tuner.
AM U61 — A DC-coupled stereo integrated amplifier from Akai, produced in the early 1980s.
AM-06 (1978) — A compact and stylish AM/FM stereo tuner from Akai's late-1970s lineup, known for clean reception and integration with modular audio systems.
AM-16 (1975) — A rare and distinctive passive monitor speaker system from Akai, designed for studio and high-fidelity home use in the mid-1970s.
AM-17 — A solid-state integrated stereo amplifier produced by Akai in the early 1990s.
AM-2350 (1975) — The Akai AM-2350 (1979–1980) is a solid-state integrated amplifier offering 35W/ch, full analog connectivity, and vintage VU meters—praised for honest sound and reliability.
AM-2400 (1978) — A high-quality open-reel tape demagnetizer from Akai, designed to maintain tape head performance in professional and enthusiast reel-to-reel setups.
AM-2450 (1977–1980) — Akai AM-2450 (1979–1980) stereo integrated amplifier, 45W/ch, 10Hz–60kHz response — a clean, mid-tier solid-state performer with aging capacitor concerns.
AM-25 (1978) — Akai AM-25 (1990–1991) — 60W/channel solid-state integrated amplifier from the early '90s, part of Akai's AM-series lineup. At 9.0 kg, it carries the weight of dependable Japanese engineering.
AM-2600 (1977) — Akai AM-2600 (1977–1979) — 60W/channel solid-state integrated amplifier from Japan. At 10.5kg, it's a heavy hitter with clean sound and fast meters.
AM-2650 (1975) — Akai AM-2650 (1979–1980) integrated amplifier with 65W/channel and 0.08% THD — a rare, serviceable Japanese solid-state design from the early 1980s.
AM-27 (1975) — A compact and stylish AM/FM tuner from Akai's mid-1970s lineup, known for solid reception and clean design.
AM-2850 (1975) — The Akai AM-2850 (1979) delivers 85W/ch with 0.03% THD and glowing power meters. Specs, owner reviews, and collector pricing for this underrated integrated amplifier.
AM-32 (1978) — Akai AM-32 (1987–1989) — a reliable mid-tier integrated amplifier from Japan, rated at 50W per channel, originally priced at 599 DM. Favored for digitization due to neutral sound.
AM-52 (1975) — A compact and reliable Akai AM-52 microphone preamplifier from the mid-1970s, designed for studio and field recording applications.
AM-55 (1968) — A classic Akai AM-55 dynamic microphone from the late 1960s, prized for its warm vocal capture and rugged build quality.
AM-65 (1975) — A high-quality passive audio monitor from the 1970s, designed for studio and broadcast use.
AM-67 (1975) — A rare and compact Japanese stereo preamplifier from the mid-1970s, known for its clean signal path and minimalist design.
AM-69 (1972) — A rare and versatile Japanese multi-function audio console from the early 1970s, the Akai AM-69 combined mixing, amplification, and tape monitoring in a single desktop unit.
AM-73 (1973) — A rare and enigmatic Akai AM-73, believed to be a specialized audio monitor or test device from the early 1970s.
am-75 — A mid-tier integrated amplifier from Akai’s AM series, known for reliable performance and a strong phono stage.
AM-93 (1975) — A compact and stylish AM/FM stereo tuner from Akai's mid-1970s lineup, known for solid reception and clean audio output.
AM-A 90 (1986) — Akai AM-A90 (1986) integrated amplifier specifications, features, and collector info. 130W/channel, open-loop MOS-FET design, full specs table, known issues, and current eBay prices.
AM-A-200 (1979) — A rare and distinctive active loudspeaker system from Akai, blending Japanese engineering with modular audio design.
AM-A-70 (1978) — Akai AM-A-70 integrated amplifier with tape-to-tape dubbing, switchable MC phono input, and defeatable tone controls — a flexible hub for analog audio workflows.
AM-A301 — Japanese-built integrated amplifier from Akai’s mid-range A-Series, featuring hybrid IC design and robust construction.
AM-M-739 (1978) — A rare and distinctive Akai multi-function audio module, likely designed for integration in custom audio systems or professional applications.
AM-M-939 (1979) — A rare and distinctive Akai integrated audio module, the AM-M-939 combines tuner, preamp, and tape monitoring functions in a modular chassis designed for custom system integration.
AM-U-01 (1982) — A rare and enigmatic Akai accessory module believed to be a monitor control or audio routing unit from the early 1980s.
AM-U-02 (1978) — A rare and innovative passive preamp module from Akai, designed for modular audio systems of the late 1970s.
AM-U-04 (1980) — A rare and enigmatic Akai module believed to be a preamplifier or signal processor from the early 1980s, possibly designed for professional or modular audio systems.
AM-U-06 (1978) — A rare and enigmatic Akai modular audio component, the AM-U-06 is believed to be a preamplifier or control unit from Akai's late 1970s modular system era.
AM-U-1 (1975) — Akai AM-U-1 (1975) specialized audio module: compact metal chassis, analog discrete circuitry, rack-mountable. Full specifications and collector info.
AM-U-110 (1977) — A rare and unique active speaker system from Akai, combining compact design with integrated amplification for its era.
AM-U-2 (1975) — Akai AM-U-2 (1975) integrated amplifier: discrete solid-state, rack-mountable, 20Hz-20kHz response, 4.9 kg. Full specifications and collector info.
AM-U-3 (1975) — A compact and stylish FM/AM tuner from Akai's mid-1970s lineup, the AM-U-3 offers solid reception and warm analog tuning charm.
AM-U-310 (1979) — A compact and stylish FM/AM stereo tuner from Akai's late-1970s lineup, known for clean reception and solid build quality.
AM-U-33 (1975) — A rare and compact passive speaker management unit from Akai, designed for early hi-fi systems and multi-speaker setups.
AM-U-330 (1979) — A high-quality passive speaker management unit from Akai, designed for professional and audiophile use in the late 1970s.
AM-U-5 (1979) — A high-quality passive speaker management unit from Akai, designed for professional and audiophile use in the late 1970s.
AM-U-55 (1976) — A high-quality passive speaker management unit from Akai's professional audio line, designed for studio and broadcast use in the 1970s.
AM-U-61 (1975) — A rare and compact Japanese-designed audio module, the Akai AM-U-61 is a unique component from Akai’s experimental era of modular audio systems.
AM-U04 — Stereo integrated transistor amplifier with separate MC/MM phono stages and needle VU meters
AM-U7 — Integrated stereo amplifier from the early 1980s featuring discrete open-loop design and MC phono input.
am65 — A solid-state integrated amplifier described as a digital amplifier in contemporary literature
AP 005 — A fully automatic belt-drive turntable from Akai’s premium 1970s lineup, featuring a precision tone arm and factory-fitted Audio-Technica cartridge.
AP 100 — Akai AP 100 turntable from the late 1970s, 6.1 kg, belt-drive, semi-auto AP-100C model. Solid Japanese build with die-cast platter.
AP 207 — A direct-drive, fully automatic turntable introduced in 1978, built in Japan during the late 1970s.
AP 306 — A direct-drive turntable made in Japan, produced from 1978 to 1980, featuring quartz speed stability and a die-cast platter.
AP A101 — A semi automatic turntable with a moving magnet cartridge and selectable 33/45 RPM speeds
AP A950 — A belt-drive turntable produced in 1993, closely related to the Rega Planar 2 with RB250 tonearm.
AP B21 — A belt-drive auto-return turntable from Akai, produced in the early 1980s
AP D210 — A semi-automatic direct-drive turntable from Akai’s AP series, noted for quiet motor performance and smooth auto-return.
AP D30 — A direct-drive turntable produced by Akai for home audio use, featuring auto return and a diecast aluminum platter.
AP M313 — A fully automatic linear tracking turntable from Akai, part of a mid-fi integrated system.
AP M77T — Akai AP-M77T — a rare, mid-sized fully automatic turntable with linear tracking tone arm and microcomputer control. Find specs, value, and listings.
AP-001 (1975) — Akai AP-001 (1978) — a 2-speed belt-drive turntable made in Japan, featuring a 300mm die-cast platter and 4-pole motor, known for solid build and serviceable design
AP-003 (1980) — Akai AP-003 (1976–1977) — 2-speed semi-automatic belt-drive turntable with 300mm platter and 4-pole motor. A durable, no-frills deck with cult appeal among vintage audio fans.
AP-007 (1985) — A compact cassette adapter from Akai, designed to connect portable audio devices to car stereos and tape decks.
AP-206 (1975) — The Akai AP-206 (1978) is a direct-drive turntable with 0.035% wow/flutter, S-shaped arm, and quartz-locked speed. Specs, history, and collector pricing.
AP-307 (1978) — The Akai AP-307 is a quartz-locked, fully automatic turntable from 1978 that delivers studio-grade speed stability and refined operation in a stealthy, well-built package.
AP-B1 (1978) — A rare and distinctive Akai tape head amplifier designed to enhance playback fidelity from reel-to-reel tape decks.
AP-B20 (1978) — A precision dual-capstan cassette transport designed for professional and high-end home audio applications.
AP-D2 (1979-1982) — A direct-drive turntable from Akai's late-1970s audio component line — a quartz-locked direct-drive deck designed to compete with the Technics SL-1700 and Sony PS-X series in the mid-market hi-fi spac…
AP-M10 (1978) — A premium open-reel tape monitor amplifier from Akai's professional audio line, designed for high-fidelity playback and studio monitoring.
AP-M512 (1978) — A high-quality open-reel tape monitor amplifier from Akai, designed for professional and semi-professional studio use with their tape decks.
AT 2400 — A Japanese-made stereo tuner from the late 1970s with analog FM/AM reception and low distortion.
AT-2200 (1974) — Akai AT-2200 (1976–1979) — a mid-tier FM/AM tuner with illuminated dial and silver finish, noted for clean design and modest collectibility.
AX60 — Akai AX60 (1986) 6-voice analog synth with CEM3394 chips, built-in BBD chorus, and sampler input — a hands-on alternative to the Juno
Ax73 — 6-voice analog synthesizer with velocity-sensitive 73-key keyboard and built-in chorus, released in 1986.
AX80 — Eight-voice programmable analog synthesizer with DCOs, three LFOs, and bar graph editing, released as Akai's first musical instrument.
BT-100 (1975) — A rare and innovative Akai broadcast turntable designed for professional use in radio stations and studios.
BT-500 (1978) — A premium Akai cassette deck from the late 1970s, known for solid build and advanced tape transport design.
CD-37 — A mid-tier CD player from Akai’s Classic Series, featuring a dual-converter DAC design and SONY laser mechanism.
CD3000XL — A 32-voice stereo digital sampler with CD-ROM and hard disk recording, released in 1996 as Akai's second dedicated CD-ROM sampler.
CR-80D (1980) — Akai CR-80D (1971–1975) — 8-track stereo cartridge deck with 2-head design and 9.5 cm/s transport. A well-engineered snapshot of early 1970s home audio.
CR-83D (1978) — Akai CR-83D from the mid 1970s, an 8-track stereo cartridge tape deck with auto-stop and continuous play, valued by collectors at over $450 when serviced.
CS 34D — Akai CS-34D (1977) cassette deck: 4.8 kg, 2-head, Dolby B, fluorescent meter. Built like a tank, easy to service, with known play mechanism quirks.
CS F33RBL — A twin-motor, microcomputer-controlled cassette deck with quick reverse and metal tape capability.
CS M01A — A two-head stereo cassette deck made in Japan, designed for reliable playback and recording with metal, CrO2, and normal tapes.
CS-30D (1977) — A compact and reliable cassette deck from Akai, designed for high-fidelity home audio use in the late 1970s.
CS-702D (1985) — A high-end dual cassette deck from Akai featuring dbx noise reduction, auto-reverse functionality, and professional-grade tape transport.
CS-703D (1982) — A high-end dual cassette deck from Akai featuring Dolby C, dual motors, and quartz-lock transport for precise tape operation.
CS-707D (1981) — A high-end cassette deck from Akai's golden era, the CS-707D features dual capstan transport, Dolby B/C, and advanced monitoring options.
CS-732D (1980) — A high-quality open-reel dual cassette deck from Akai, known for its twin-deck configuration and professional-grade tape transport.
CS-F11 (1979) — A compact and stylish cassette player from Akai, designed for portability and convenience in the late 1970s.
CS-F12 (1979) — A compact and stylish Akai cassette player from the late 1970s, the CS-F12 offered solid performance for home and personal use during the height of the cassette era.
CS-F14 (1983) — A compact and reliable cassette deck from Akai, designed for portability and consistent tape performance.
CS-F21 (1982) — A compact cassette deck from Akai's early 1980s lineup, the CS-F21 offered reliable performance for home and portable use.
CS-F33R (1985) — The Akai CS-F33R (1981) flips cassette sides in 0.5 seconds with a bi-drive system and HD head. Specs, history, and real market prices.
CS-F36R (1985) — A rare Akai cassette deck with advanced features for its era, the CS-F36R offers solid build quality and analog warmth for cassette enthusiasts.
CS-F39R (1984) — A compact dual cassette deck from Akai, the CS-F39R offered basic tape functionality for home and portable use in the mid-1980s.
CS-M3 — A mechanical stereo cassette deck from Akai’s early 1980s lineup, built in Japan with support for Type I, CrO2, and Metal tapes.
CS-M40A (1982) — A compact cassette deck system from Akai, combining portability with solid mid-tier performance for home and mobile use.
CS-M40R (1983) — A compact and stylish personal audio system from Akai, combining AM/FM radio, cassette playback, and dual speakers in a space-saving design.
DT 120 — Akai DT 120 (1980) digital audio timer with blue display and 1200W load capacity; modified for 220V, valued at ~$230.
DX-59 (1983) — The Akai DX-59 (1993) is a 3-head cassette deck with Dolby C, HX PRO, and dual-capstan drive. Specs, history, and real market prices.
dx57 — A consumer stereo cassette recorder from the 1990s with 2 heads and adjustable bias
EWI SOLO — A standalone wind controller with built-in sounds, speaker, and OLED display, designed for portable performance.
EWI3020M — An analog monophonic rackmount synthesizer module designed to pair with Akai wind controllers.
EWI4000S — A MIDI wind controller with onboard analog modeling synthesis, introduced at Winter NAMM 2006.
GX 400 DSS — A 4-channel reel-to-reel tape deck capable of quadraphonic recording and playback
GX F25 — A microcomputer-controlled stereo cassette deck with Twin Field Super GX head and metal tape support
GX F51 — A high-end stereo cassette deck from Akai’s GX series, made in Japan with advanced tape transport and noise reduction features.
GX-1820 (1978) — A professional-grade 1/4-inch stereo reel-to-reel tape recorder from Akai, known for durability and broadcast-quality audio performance.
GX-260D (1979) — Akai GX-260D (c.1973) — 20.8 kg reel-to-reel deck with center capstan, GX heads, and 3-motor transport. A precision machine for serious tape work.
GX-265D (1979) — A high-performance dual-capstan cassette deck from Akai, known for its precision engineering and professional-grade tape transport.
GX-266-II (1978) — A high-performance dual-capstan 3-head cassette deck from Akai, known for excellent build quality and audiophile-grade tape reproduction.
GX-266D (1978) — A dual-deck cassette recorder from Akai's professional and semi-pro GX series, known for solid build and tape alignment precision.
GX-270D (1978) — A high-quality open-reel tape recorder from Akai's respected GX series, designed for semi-professional and serious home use.
GX-270D-SS (1977) — A high-quality, dual-capstan cassette deck from Akai known for excellent build, smooth transport, and audiophile-grade performance.
GX-280D-SS (1979) — The Akai GX-280D-SS (1972–1976) is a 4-channel reel-to-reel deck with GX heads, 0.06% wow/flutter, and NAB eq. Specs, history, and real market value.
GX-285D (1978) — Akai GX-285D (1973?) — 3-head, 3-motor open-reel deck with Dolby, GX heads, and servo drive. A rare high-end machine.
GX-365 (1975) — Akai GX-365 (1975) — 3-head, dual-capstan reel-to-reel deck with Glass & Crystal Ferrite heads, 0.04% wow/flutter, 30Hz–28kHz response. A prosumer analog powerhouse.
GX-365D (1978) — Akai GX-365D (1970) — a 25.5 kg professional reel-to-reel tape deck with Glass & Crystal Ferrite heads, 4 tape speeds up to 38 cm/s, and studio-grade specs including 28 kHz response and 0.04% wow and …
GX-370D (1978) — A high-quality dual-capstan cassette deck from Akai, known for solid build and excellent tape performance.
GX-4000D — A Japanese-made, 4-track stereo reel-to-reel recorder with GX ferrite heads, released in October 1978 as the final model in Akai’s 4000 series.
GX-4000DB — A stereo reel-to-reel tape deck with Dolby noise reduction, made in Japan
GX-400D-SS (1979) — A high-end dual-capstan cassette deck from Akai's golden era, known for precision engineering and exceptional tape handling.
GX-52 (1975) — Akai GX-52 (1975) open-reel tape deck with three-head design, quartz servo, 15 ips, 30Hz–18kHz response — a durable workhorse for broadcasters and audiophiles.
GX-57 (1975) — A high-end open-reel tape recorder from Akai's golden era, prized for its precision engineering and audiophile-grade sound quality.
GX-6 (1971) — A high-end open-reel tape recorder from Akai's golden era, prized for its build quality and audiophile-grade performance.
GX-600 (1975) — A high-end open-reel tape recorder from Akai, prized for its professional build and audiophile-grade performance.
GX-600DB (1978) — A high-end dual-transport cassette deck from Akai, known for exceptional build quality and professional-grade performance.
GX-620 (1976) — A high-end open-reel tape recorder from Akai, prized for its build quality, precise transport, and audiophile-grade sound reproduction.
GX-625 (1978) — A high-end 1/4-inch 2-track open reel tape recorder from Akai, prized for its professional build and audiophile-grade performance.
GX-630D (1978) — A high-end 1/4-inch stereo reel-to-reel tape deck from Akai, known for professional build quality and exceptional analog sound reproduction.
GX-630D-SS (1977) — A high-end dual-capstan cassette deck from Akai, known for precision engineering and professional-grade tape transport.
GX-635D (1978) — A high-end dual-capstan 3-head cassette deck from Akai, known for precision engineering and studio-grade performance.
GX-636 (1979) — A high-end 3-head open-reel tape deck from Akai, known for exceptional build quality and professional-grade performance.
GX-646 (1978) — A high-end 1/4-inch 3-head professional reel-to-reel tape recorder known for its precision engineering and studio-quality sound.
GX-650 (1977) — A high-end open-reel tape recorder from Akai, prized for its professional build and audiophile-grade sound quality.
GX-650D (1977) — A high-end dual-capstan cassette deck from Akai, known for exceptional mechanical precision and audiophile-grade sound reproduction.
GX-65MKII (1978) — A high-end open-reel tape recorder prized for its robust build, precise mechanics, and audiophile-grade sound quality.
GX-7 (1970) — A high-end open-reel tape recorder from Akai's golden era, prized for its precision engineering and audiophile-grade sound reproduction.
GX-747DBX (1981) — A high-end dual-capstan cassette deck with DBX noise reduction, renowned for its precision engineering and audiophile-grade performance.
GX-75 (1976) — A high-end open-reel tape recorder from Akai, prized for its build quality and professional-grade performance.
GX-75MKII (1977) — A high-end open-reel tape recorder from Akai, prized for its professional build, excellent transport, and audiophile-grade sound quality.
GX-77 (1977) — A high-end open-reel tape recorder from Akai, renowned for its precision engineering and professional-grade audio performance.
GX-8 (1975) — A high-end open-reel tape recorder from Akai, prized for its professional build and audiophile-grade sound quality.
GX-9 (1975) — Akai GX-9 (1985) cassette deck with three-head design, dual-capstan transport, and Dolby B/C. Praised for deep bass and precise level metering.
GX-911 (1978) — A high-end open-reel tape recorder from Akai, known for professional build quality and audiophile-grade performance.
GX-95 (1975) — A high-end open-reel tape recorder from Akai, known for professional-grade performance and build quality.
GX-95MKII (1979) — A high-end open-reel tape recorder renowned for its precision engineering and audiophile-grade sound quality.
GX-F31 (1979) — A high-end open-reel tape recorder from Akai's golden era, known for exceptional build quality and audiophile-grade performance.
GX-F35 (1977) — A compact and reliable open-reel tape recorder from Akai's respected GX series, designed for home and semi-professional use.
GX-F37 (1977) — A compact and reliable reel-to-reel recorder from Akai, designed for home and semi-professional use in the late 1970s.
GX-F44R (1979) — A high-performance 4-track stereo reel-to-reel recorder designed for semi-professional and enthusiast use, featuring advanced transport mechanics and excellent audio fidelity.
GX-F60R (1978) — A high-quality open-reel tape recorder from Akai's golden era, known for solid build and excellent analog sound reproduction.
GX-F66RC (1981) — A high-end open-reel tape recorder from Akai, known for its precision engineering and audiophile-grade analog performance.
GX-F71 (1979) — A high-end open-reel tape recorder from Akai, known for its precision engineering and audiophile-grade sound quality.
GX-F80 (1979) — A high-end open-reel tape recorder from Akai's golden era, the GX-F80 delivers professional-grade analog sound with precision engineering and audiophile-focused design.
GX-F90 (1978) — A high-end open-reel tape recorder from Akai's golden era, the GX-F90 delivers professional-grade performance with audiophile refinement.
GX-F91 (1978) — A high-end open-reel tape recorder from Akai, known for professional-grade build and audiophile sound quality.
GX-F95 (1978) — Akai GX-F95 cassette deck with 0.028% wow and flutter, Super GX3 heads, and quartz-lock DD drive — a rare high-end analog statement.
GXC-310 (1983) — A compact and reliable stereo cassette deck from Akai, designed for home and portable use with solid build and warm analog sound.
GXC-310D (1985) — A compact, dual-cassette auto-reverse transport system designed for convenient tape dubbing and playback.
GXC-325D (1985) — A compact and reliable dual cassette deck from Akai, designed for home dubbing and basic tape recording with solid build and user-friendly operation.
GXC-36 (1984) — A high-end dual cassette deck from Akai known for its precision engineering and professional-grade tape transport.
GXC-36D (1983) — A high-quality 3-head auto-reverse cassette deck from Akai, known for solid build and excellent tape performance.
GXC-38 (1982) — A compact and reliable Akai cassette transport module designed for integration into multi-component audio systems.
GXC-38D (1983) — A high-quality 3-head auto-reverse cassette deck from Akai, known for precise mechanics and warm analog sound.
GXC-39 (1981) — Akai GXC-39 (1976–1977) — a basic top-loading stereo cassette deck with 4-track/2-channel operation, FeCr tape support, and a role in Akai’s international rebadging strategy.
GXC-39D (1983) — A compact, dual-well cassette deck from Akai with auto-reverse functionality and Dolby B noise reduction, designed for convenience and portability.
GXC-40 (1978) — A high-end 4-track cassette recorder from Akai, designed for multitrack home recording and professional demo use.
GXC-40D (1984) — A compact and reliable dual cassette deck from Akai, designed for home dubbing and tape maintenance.
GXC-44D (1984) — A compact and reliable Akai cassette deck from the mid-1980s, the GXC-44D offers solid performance for casual listeners and collectors.
GXC-46 (1981) — Akai GXC-46 (1973–1975) 2-head cassette deck with GX heads, 0.07% wow & flutter, wood sides — built for serviceability.
GXC-65D (1985) — A high-quality dual cassette deck from Akai, the GXC-65D offers solid build, Dolby B/C noise reduction, and precise tape handling for enthusiasts and archivists.
GXC-730D (1984) — A high-end dual cassette deck from Akai featuring advanced tape transport and Dolby HX Pro for professional-grade analog recording.
GXC-735D (1984) — A high-quality 3-head auto-reverse cassette deck from Akai, known for solid build and excellent tape performance.
HX-1 — A stereo cassette deck made in Japan with Dolby B noise reduction and support for normal, chrome, and metal tapes.
HX-3 — A 2-head stereo cassette deck made in Japan, part of Akai's HX series lineup.
HX-A201 — A stereo cassette deck made in Japan, produced from 1986 to 1989.
MINIAK — A virtual analog synthesizer with 8-voice polyphony and a 37-key velocity-sensitive keyboard
MPC Element — Compact USB-powered pad controller with included MPC Essentials software, introduced in 2013 as the smallest and most affordable MPC at the time.
MPC Key 61 — The first MPC with a built-in keyboard, combining a 61-note synth-action keybed with a full standalone production workstation.
MPC Live II — A standalone music production workstation released in May 2020, featuring a 7-inch touchscreen and 16 velocity-sensitive RGB pads.
MPC One — A compact, standalone sampling workstation with touch interface, built-in synths, and CV/Gate support.
MPC Renaissance — A hybrid music production controller combining hardware interface with software integration, favored in hip-hop production.
MPC Touch — A hybrid sampling workstation with a 7-inch multi-touch display, requiring a Mac or PC to operate.
MPC1000 — 32-voice sampler/sequencer with 16-bit/44.1 kHz sampling, expandable RAM, and 64 tracks per sequence.
MPC2000XL — 16-pad music production center with 64-track sequencing and time-stretch processing, co-designed by Roger Linn.
MPC2500 — Standalone music production center with 32-voice polyphony, 16 velocity- and pressure-sensitive pads, and 128MB expandable memory.
MPC3000 (1994-2000) — The MPC3000 wasn’t just a sampler—it was the rhythmic backbone of 1990s hip-hop, a tactile temple of groove where 16 rubber pads met 32 voices of 16-bit soul.
MPC4000 — Standalone 24-bit music production workstation with 96kHz sampling, 64-voice polyphony, and SCSI/USB connectivity.
MPC500 — Portable sampler and sequencer workstation developed with Roger Linn, released in 2006 as the first battery-powered MPC.
MPC5000 — A sampling workstation with a built-in virtual analog synth engine, released as Akai's flagship MPC in 2008.
MPC60 (1988-1991) — A 12-bit powerhouse with swing so deep it rewired the rhythm of hip-hop, the MPC60 wasn’t just a sampler—it was a studio in a box with fingerprints on every classic.
MPX16 — Compact USB-powered sampler and MIDI drum controller with 16 velocity-sensitive pads, 64-voice polyphony, and 48MB sample memory.
MPX8 — A portable sample pad controller with SD-based sample loading, announced at NAMM 2013.
MR16 — A rhythm oscillator bank using analog-generated sounds, part of Akai's 1980s 'microstudio' system
Rhythm Wolf — Analog drum machine and monophonic bass synth with 5-voice polyphony, released during the 2010s analog revival.
S01 — 16-bit rackmount sampler with 8-voice polyphony and 32 kHz sampling rate
S1000 (1988-1993) — A no-nonsense, studio-grade digital sampler that delivered broadcast-quality audio and surgical editing—without the astronomical price tag of its rivals.
S1000 MkII (1990-1993) — The Akai S1000 MkII (1990–1993) is a 16-bit stereo sampler prized for its surgical sample clarity, SCSI expandability, and studio-grade 8-output routing.
S1000PB — 16-bit stereo sample player with 16-voice polyphony and 8MB expandable memory, made in Japan.
S1100 (1993-1996) — The Akai S1100 (1990–1996) brought 24-bit processing, onboard effects, and SCSI to the studio standard sampler—rugged, reliable, and heard on countless '90s hits.
S1100EX — Akai S1100EX expander adds 16 voices and 8 outputs to the S1100 sampler. A 1990s studio secret for hip-hop and dance producers.
S20 — Compact stereo phrase sampler designed for DJs and home studios, featuring resampling, beat looping, and floppy-based storage.
S2000 — Budget rack-mount digital sampler with 32-voice polyphony and 16-bit resolution, requiring boot disk startup.
S2800 — A professional rackmount MIDI stereo digital sampler with 32-voice polyphony and high-resolution audio conversion.
S3000XL — 32-voice, 16-bit stereo digital sampler introduced in 1995 with expandable memory and professional I/O.
S3200 — 3U rack-mounted 16-bit digital sampler with built-in effects, digital I/O, and expandable memory.
S3200XL — 32-voice 16-bit digital sampler with expanded memory, standard effects, and resonant filters in a 3U rack format.
S5000 — Professional 16-bit digital sampler with 320x240 LCD and expandable memory, released in October 1998.
S6000 — The Akai S6000 (1998) was the last high-end hardware sampler Akai made — with 256MB RAM, 16 outs, and a removable control panel, it bridged samplers and DAWs.
S612 (1985-1986) — A 12-bit, six-voice rackmount sampler with analog filtering and real-time sample editing, released in 1985.
S700 (1987) — 12-bit rackmount MIDI sampler with 6-voice polyphony, built-in QuickDisk drive, and expandable memory, made in Japan.
S900 (1986-1990) — With 32-note polyphony, real-time editing, and floppy-based reliability, the Akai S900 wasn’t just a sampler—it was a studio revolution in a 12.5 kg chassis.
S950 (1988-1993) — The Akai S950 defined 12-bit hip-hop grit—time stretching, 8 outs, and raw character made it a '90s beatmaking legend.
SG01p — A half-rack PCM rompler module from 1995 focused on piano, Rhodes, and Clavinet sounds, built in Japan with 32-voice polyphony and onboard reverb.
SG01v — A half-rack vintage synthesizer sound module using PCM samples from classic synths and drum machines.
SS-100 (1978) — A compact and stylish passive speaker selector switch from the late 1970s, designed for managing multiple speaker pairs in stereo systems.
SS-120 (1978) — A compact and reliable stereo speaker selector switch from Akai, designed for multi-room audio setups in the late 1970s.
SS-88A (1978) — A rare and distinctive passive speaker selector switch from Akai, designed for multi-room audio setups in the late 1970s.
SW-120 (1978) — A rare and compact Akai subwoofer system from the late 1970s, designed to enhance bass response in stereo setups.
SW-120A (1980) — A compact active subwoofer from the early 1980s, designed to enhance low-frequency response in stereo systems.
SW-121 (1979) — A compact, high-quality passive subwoofer system designed to enhance bass response in vintage speaker setups.
SW-121A (1975) — A compact and stylish passive subwoofer enclosure from Akai, designed to enhance bass response in vintage stereo systems.
SW-131A (1978) — A high-quality passive subwoofer from Akai, designed to enhance bass response in stereo systems of the late 1970s.
SW-155 (1975) — A high-quality passive subwoofer enclosure from Akai, designed to enhance bass response in vintage stereo systems.
SW-156 (1978) — A high-quality passive subwoofer from Akai, designed to enhance bass response in stereo systems during the late 1970s.
SW-157 (1978) — A rare and robust studio-grade subwoofer enclosure from Akai, designed for professional monitoring applications in the late 1970s.
SW-161 (1978) — Akai SW-161 — 3-way floorstanding speaker, 30–20,000 Hz, 8 ohms, $200 in 1974, walnut finish, sealed cabinet
SW-170A (1975) — A high-quality passive subwoofer from Akai, designed to enhance bass response in vintage stereo systems.
SW-177 (1978) — A rare and robust studio-grade speaker switcher from Akai, designed for professional monitoring environments in the late 1970s.
SW-180 — Akai SW-180 (circa 1970) floor speaker with 12-inch LTP woofer, 102dB sensitivity, and dual horn tweeters—high-efficiency Kabuki design with collectible appeal and known repair challenges.
SW-30 (1975) — A compact and versatile stereo audio mixer from the mid-1970s, designed for use with Akai's reel-to-reel tape recorders and home recording setups.
SW-35 (1975) — A compact and stylish stereo speaker system from Akai, designed for integration with vintage receivers and compact audio setups of the 1970s.
VX90 — Rack-mount 6-voice analog synth module with CEM3394 chips, menu-driven interface, and MIDI control, identical to the AX73.
X-1800SD (1980) — A high-performance professional reel-to-reel tape recorder from Akai, designed for studio and broadcast use with exceptional build quality and audio fidelity.
X-2000SD (1982) — A high-end stereo cassette deck from Akai featuring dual capstan drive, Dolby S noise reduction, and advanced tape transport mechanics.
XE-8 — Rack-mount 16-bit MIDI drum expander with programmable sample playback and ROM card expansion
XR10 — A 1990 Japanese drum machine using PCM samples, 8-voice polyphony, and a Z80 CPU, designed for electro and industrial rhythms.