Fisher

Avery Fisher invented the hi-fi receiver — literally

History

Fisher Radio Corporation was founded in New York City in 1937 by Avery Fisher, a visionary audio engineer who would essentially invent the concept of "high fidelity." Fisher's goal was to create audio equipment that accurately reproduced the original performance—a revolutionary idea at a time when most radios were designed for speech and AM broadcast fidelity.

In 1941, Fisher introduced the Model 100—a tuner-amplifier combination that represented the first true high-fidelity component. This was followed by the groundbreaking FM-100 (1940s), the first FM receiver designed specifically for high-fidelity music reproduction. Avery Fisher was so convinced of FM's superiority that he helped lobby the FCC to expand the FM band.

The 1950s and 1960s were Fisher's golden era. The company produced luxurious tube equipment including the legendary SA-1000 integrated amplifier and FM-1000 tuner. Fisher components featured heavy chrome chassis, brushed aluminum panels, and exceptional build quality. The company also pioneered stereo recording and playback equipment.

The Fisher XP series speakers (XP-1, XP-2, XP-4, XP-5, XP-6, XP-7, XP-9, XP-10) became popular in the 1960s, offering high-quality sound in furniture-grade cabinets.

In 1969, Emerson Radio acquired Fisher, and the brand shifted toward more affordable mass-market products. Avery Fisher went on to fund the renovation of New York's Philharmonic Hall, which was renamed Avery Fisher Hall (now David Geffen Hall) in his honor.

Key Facts

Legendary Products

Fisher FM-1000 (1960s)

The ultimate expression of Fisher's tuner expertise. The FM-1000 featured a massive tuning mechanism, exceptional sensitivity, and a beautiful analog dial. It represented the pinnacle of tube FM reception before solid-state took over.

Fisher SA-1000 (1960s)

A flagship tube integrated amplifier delivering 50 watts per channel from a pair of EL34 tubes per channel. The SA-1000 featured a heavy chrome chassis, brushed aluminum faceplate, and exceptional build quality.

Fisher 400 / 500C (1950s-1960s)

Popular tube receivers that brought Fisher quality to a wider audience. The 500C in particular became a beloved classic with 35 watts per channel, FM stereo, and beautiful styling.

Fisher XP-7 (1960s)

A three-way speaker featuring a 12" woofer, midrange, and tweeter in a furniture-grade cabinet. The XP-7 and its siblings offered high-quality sound for the emerging stereo market.

Sound Signature

Fisher equipment — particularly the pre-1969 tube era — has a sound that is unmistakably luxurious. The 500C receiver and SA-1000 integrated amplifier deliver a midrange that is rich, dimensional, and deeply engaging. Vocals have a presence and body that makes singers sound as if they are performing in your living room, with a natural decay on notes that solid-state designs rarely capture. The EL34 and 6L6 output tubes Fisher favored contribute a golden warmth that flatters everything from orchestral music to intimate jazz vocals.

The bass on Fisher tube equipment is generous and round — not as tight as what solid-state would later achieve, but deeply satisfying in a way that invites you to turn up the volume. The treble is smooth and extended, with a sweetness that avoids any hint of harshness. Where Fisher really excels is in the way it presents the spatial qualities of a recording — the sense of air around instruments, the depth of a concert hall, the separation between players in an ensemble. This is equipment designed by a man who attended live concerts regularly and wanted to bring that experience home.

The XP series speakers share this musical philosophy. They are warm, forgiving, and room-friendly, with the kind of tonal richness that makes background listening just as satisfying as critical listening. Paired with a Fisher tube receiver, they create a system with remarkable coherence and charm.

Collecting Fisher

The single most important rule in Fisher collecting: pre-1969 is what matters. Everything produced under Avery Fisher's personal direction carries his uncompromising standards for build quality and sound. After the Emerson acquisition, the brand shifted toward mass-market pricing and the magic diminished. The FM-1000 tuner is the crown jewel — a massive, beautifully engineered tube tuner that can fetch $1,500 to $3,000. The SA-1000 flagship integrated trades in the $800 to $2,000 range. The 500C receiver is the sweet spot for most collectors: genuine Avery Fisher quality, gorgeous styling, and prices typically between $400 and $1,000.

The XP speaker series represents excellent value. The XP-7 and XP-10 deliver a classic American speaker sound in handsome walnut cabinets, usually available for $200 to $500 a pair. The earlier Fisher 400 receiver is another strong pick for its blend of accessible power and tube character. When evaluating any Fisher tube unit, ask whether the output transformers are original and untampered — these are the heart of the amplifier and the most expensive component to replace. A Fisher with healthy original transformers is worth significantly more than one that has been rewound.

Competitors & Comparisons

Fisher vs McIntosh: McIntosh more expensive; Fisher more accessible luxury

Fisher vs HH Scott: Similar market; Scott more technical, Fisher more musical

Fisher vs Marantz: Both premium; Fisher more American, Marantz more international

Receivers, Amplifiers

• Fisher - The Original Hi-Fi — Founded in 1937 by Avery Fisher. Created the first FM receiver and pioneered the high-fidelity industry. Known for luxurious tube equipment, the FM-1000, and the iconic XP series.

Amplifiers

• 220-t — Vintage tube stereo amplifier from Fisher with EL84 output tubes and warm musical sound.
• 250-t — The Fisher 250-T (1968) is an early solid-state receiver with 30W/ch, Baxandall tone controls, and Tune-O-Matic presets. Specs, flaws, and real market prices.
• 400-cx — The Fisher 400-CX (1961) is a tube preamp with 28 controls, 18 inputs, and a legendary phono stage. Specs, restoration tips, and collectibility.
• 440a — Vintage tube amplifier from Fisher's 1960s lineup, delivering 40 watts per channel with warm, audiophile-grade sound.
• 450-t — Vintage tube amplifier with integrated FM/AM tuner from Fisher's acclaimed 1960s series, delivering warm stereo sound and robust build quality.
• 701 — Fisher 701 stereo amplifier from 1963, featuring 40 watts of power, dual transformers, and warm, musical sound characteristic of early solid-state design.
• 701-t — Vintage tube amplifier from Fisher's 1960s lineup with 30 watts per channel and classic warm sound.
• 801 — The Fisher 801 (1972) was a quadraphonic flagship receiver with dual amplifiers, autoscan tuning, and ultrasonic remote—Fisher's last great analog statement.
• A-691 (1969) — The Fisher AMBASSADOR A-691 is a high-fidelity stereo amplifier from the late 1960s, known for its robust build, warm tube-like sound, and classic design.
• ALLEGRO-A-9/A-19 (1968) — Fisher's ALLEGRO-A-9 and A-19 are high-fidelity preamplifiers from the late 1960s, representing the peak of tube-era audio refinement and minimalist audiophile design.
• ALLEGRO-II-A-9/A-19 (1968) — A rare and sophisticated Fisher preamplifier system from the late 1960s, combining high-fidelity design with modular flexibility.
• AMBASSADOR-VI (A-69) (1959) — High-fidelity vacuum tube amplifier from the late 1950s, known for rich sound and classic design.
• consolette-series-510 — Vintage tube amplifier from Fisher's early stereo console series, featuring integrated FM/AM tuner and warm tube sound in a classic walnut cabinet.
• CUSTOM-ELECTRA IV (E33/E44) (1960) — A modular high-fidelity preamplifier system from Fisher's golden era, designed for audiophiles seeking customizable signal control.
• CUSTOM-ELECTRA-I (K-14/K-15) (1957) — A rare and innovative modular preamplifier system from Fisher, representing early high-fidelity customization and modular design in consumer audio.
• CUSTOM-ELECTRA-VII (E49) (1958) — High-fidelity vacuum tube stereo amplifier from the late 1950s, known for rich sound and modular design.
• custom-futura-(j-10) — Fisher Custom Futura (J-10) stereo tube amplifier from 1959 with 10 watts per channel and AM/FM tuner.
• TX-50 (1963) — Fisher TX-50 solid-state stereo amplifier from 1963 with warm sound signature and classic hi-fi design.

Cassette Decks

• 500-tx — The Fisher 500-TX (1969–1972) delivers 65W/channel of transparent solid-state sound. Specs, history, and collector pricing for this top-tier vintage receiver.
• 550-t — The Fisher 550-T (1966) delivers 35W/channel of warm, clear high-fidelity sound. Specs, collectibility, and service insights for this top-tier vintage receiver.

Preamps

• RS-1056 (1978) — Fisher RS-1056 solid-state preamp from 1978 featuring dual power meters and warm midrange sound typical of late-70s Fisher design.

Receivers

• 332 — Solid-state stereo receiver from 1969 with 22 watts per channel, AM/FM tuner, and classic mid-century audio design.
• 400-R (1963) — Vintage tube amplifier and receiver from Fisher's renowned 1960s lineup, delivering warm stereo sound with integrated FM/AM tuner and classic design.
• 400-T (1964) — Tube-powered stereo receiver from Fisher's golden era, combining high-fidelity amplification with integrated FM/AM tuner and warm, musical sound.
• 432 — Solid-state stereo receiver from Fisher's 1971 lineup featuring 20 watts per channel, FM/AM tuner, and warm analog sound.
• 440-t — Fisher 440-T Receiver (1965) — 20W/channel solid-state stereo receiver with slide-rule tuning, walnut cabinet, and switchable impedance. A transitional classic from Fisher's mid-tier lineup.
• 500-B (1959) — High-fidelity tube stereo receiver from 1959 with 35 watts per channel and classic warm sound.
• 500-C (1959) — High-performance tube amplifier and FM stereo receiver from the golden era of hi-fi, renowned for its build quality and warm, musical sound.
• 500c (early 1960s) — Fisher 500C (1964) tube receiver, 35W/channel, 16.6kg — a warm, repairable classic of the hi-fi era
• 700-t (1962) — High-end tube stereo receiver from the early 1960s featuring 40 watts per channel, FM/AM tuner, and audiophile-grade sound.
• 800-(a) (1959) — High-fidelity tube amplifier and receiver from Fisher's golden era, known for warm sound and premium build quality.
• 800-B (1961) — High-end tube receiver from the early stereo era with built-in tuner and preamplifier, known for warm sound and robust construction.
• 800-C (1963) — High-performance tube amplifier and receiver from Fisher, renowned for its lush sound and premium build quality.
• allegro-a-190 — Fisher Allegro A-190 receiver from 1971 featuring solid-state design with AM/FM tuner and warm midrange sound.
• AMBASSADOR-II (A-910) (1968) — High-fidelity receiver from the late 1960s, combining robust build quality with classic tube-like warmth and precise AM/FM tuning.
• C-55 (1959) — Fisher Coronet II (C-55) receiver (1959–1960) with 12W/channel tube amp, slide-rule tuning, and stereo multiplex FM — a pioneer of early home stereo.
• consolette-series-51 — High-end tube receiver from Fisher's 1959 console series featuring stereo amplification, FM/AM tuner, and classic mid-century design.
• CORONET-II (C-55) (1964) — A classic mid-1960s receiver known for solid build quality and warm analog sound.
• custom-electra-ii-(k-100) (1966) — High-end tube receiver from Fisher's 1960s lineup with 100 watts mono output and integrated FM/AM tuner.
• D-391 (1968) — The Fisher DIPLOMAT D-391 is a high-fidelity receiver from the late 1960s, known for its robust build and warm analog sound.
• D-393 (1968) — Fisher D-393 Diplomat console speaker (1968) — listed in archives but with no confirmed specs or production details.
• DIPLOMAT-D-38 (1965) — The Fisher DIPLOMAT-D-38 is a high-fidelity receiver from the mid-1960s, known for its robust build, warm tube-based sound, and elegant design.
• metropolitan-m-4592 — The 1967 Fisher Metropolitan M-4592 console pairs a 45W solid-state amp with a Dual 1014 turntable—mid-century hi-fi at its most cohesive.
• philharmonic-ii-p-25 — Fisher Philharmonic II P-25 solid-state receiver from 1969 with 25 watts per channel, FM/AM tuner, and warm midrange sound signature.
• philharmonic-iv-p-29 — Fisher Philharmonic IV P-29 solid-state receiver from 1968 with 50 watts per channel, FM/AM tuner, and warm vintage sound signature.
• premiere-f-220 — Fisher Premiere F-220 solid-state receiver from 1970 with 20 watts per channel and AM/FM tuner.
• promenade-310 — The 1959 Fisher Promenade-310 console blends true stereo sound, tube warmth, and mid-century design in a single iconic American hi-fi package.
• promenade-ii-320 — Solid-state stereo receiver from Fisher's 1970s mid-range lineup, featuring 20 watts per channel, AM/FM tuner, and warm musical sound.
• PROVANCE-MEDALIST-II-(R-20) (1963) — Fisher ProVance Medalist II R-20 stereo receiver from 1963 featuring. 20 watts per channel, AM/FM tuner, and classic tube audio design.
• series-101 — Solid-state stereo receiver from Fisher's late 1960s lineup featuring AM/FM tuner and warm musical sound.
• series-202 — Solid-state stereo receiver from Fisher's mid-range 1970s lineup featuring 20 watts per channel and classic warm sound.
• STATESMAN-II (S-70) (1969) — A high-fidelity integrated receiver from the golden era of audio, known for its robust build and warm analog sound.
• TX-200 (1966) — Fisher TX-200 solid-state stereo receiver from the mid-1960s with warm sound and robust build quality.

Speakers

• executive-ii-1000 (1975) — High-end floor-standing speaker from Fisher's Executive series with 3-way design and acoustic suspension cabinet.
• president-ix-9000 (1969) — High-end 3-way acoustic suspension loudspeaker from Fisher's prestigious President series, featuring a 12-inch woofer and horn-loaded midrange for balanced, warm sound reproduction.
• XP-10 — Floor-standing Consolette speaker introduced as Fisher’s flagship in 1965, notable for debuting the soft dome tweeter invented by William Hecht.
• XP-2 — Fisher XP-2 (1961–1963) — 10-inch 3-way speaker with 5-inch mid and 3.5-inch tweeter in a 22-inch cabinet. A premium US-built hi-fi relic.
• XP-33 — Fisher XP-33 speakers, known as 'The Little Giant Speaker System,' are compact high-efficiency speakers designed for space-constrained installations.

Tuners

• FM-100 (1961) — FM-only tube tuner from Fisher's early 1960s lineup with excellent sensitivity and classic slide-rule tuning.
• FM-100-B (1963) — FM-only tube tuner from Fisher's early 1960s lineup, known for warm sound and precision tuning.
• FM-100-C (1960) — The Fisher FM-100-C (1964–1969) is a tube FM tuner with analog tuning and walnut cabinet option. Specs, history, and collector pricing.
• FM-1000 (1968) — High-performance FM/AM tuner from Fisher's golden era, featuring tube-based design and advanced reception capabilities.
• FM-200 (1971) — The Fisher FM-200 (1960) was the last great mono FM tuner before stereo made it obsolete. Tube-powered, feature-packed, and built in the USA. Specs, history, and rarity.
• FM-200-B (1964) — Fisher FM-200-B tube FM/AM tuner from 1964 with warm sound and classic slide-rule dial.
• FM-200-C (1966) — High-fidelity FM/AM tuner from Fisher's solid-state transition era featuring FET front end and PLL stereo decoding.
• FM-50 (1959) — Fisher FM-50 tube-based FM tuner from 1959 with early stereo readiness and high-fidelity performance.
• FM-50-B (1964) — FM/AM tuner with stereo decoding and solid-state transition design from Fisher's 1960s lineup.
• FM-90-X (1966) — Fisher FM-90-X solid-state FM/AM tuner from 1966 with stereo decoding and precision tuning features.
• FMR-1 — Fisher FM-1000/FMR-1 Broadcast Monitor Tuner (1961) — 18-tube FM stereo tuner with dual nuvistor front-end, 1.5 µV sensitivity, and rack-mount design. A broadcast-grade relic for purists.
• MF-320 (1970) — FM/AM tuner with solid-state design and slide-rule tuning from Fisher's 1970s consumer lineup.
• president-x-9010 (1975) — The 1965 Fisher President X-9010 console combines tube-powered audio excellence with solid walnut furniture—rare, heavy, and sonically timeless.
• R-200 (1964) — FM/AM tuner with tube-based circuitry and stereo decoding from Fisher's classic 1960s lineup.
• TFM-1000 (1964) — High-end FM-AM tuner from Fisher's 1960s lineup featuring FET front end and multiplex stereo decoding.
• TFM-300 (1963) — Fisher TFM-300 FM/AM tuner from 1963, part of Fisher's respected tube-based tuner series known for excellent FM reception and build quality during the early stereo broadcasting era.

Other Models

• Fisher - The Original Hi-Fi — Founded in 1937 by Avery Fisher. Created the first FM receiver and pioneered the high-fidelity industry. Known for luxurious tube equipment, the FM-1000, and the iconic XP series.
• 160 T — A solid-state FM stereo receiver with push-button tuning, released in 1968
• 200 T — A fully transistorised stereo receiver produced by Fisher Radio Corporation between 1967 and 1969.
• 21-R — The Fisher 21-R was a stereo receiver chassis from a mid-60s console—solid build, 20W output, and repairable, but often found with channel loss.
• 220-t — Vintage tube stereo amplifier from Fisher with EL84 output tubes and warm musical sound.
• 250-t — The Fisher 250-T (1968) is an early solid-state receiver with 30W/ch, Baxandall tone controls, and Tune-O-Matic presets. Specs, flaws, and real market prices.
• 332 — Solid-state stereo receiver from 1969 with 22 watts per channel, AM/FM tuner, and classic mid-century audio design.
• 400 — A tube-powered FM stereo receiver from Fisher’s mid-1960s lineup, combining tuner, preamplifier, and power amplifier in one chassis.
• 400-cx — The Fisher 400-CX (1961) is a tube preamp with 28 controls, 18 inputs, and a legendary phono stage. Specs, restoration tips, and collectibility.
• 400-R (1963) — Vintage tube amplifier and receiver from Fisher's renowned 1960s lineup, delivering warm stereo sound with integrated FM/AM tuner and classic design.
• 400-T (1964) — Tube-powered stereo receiver from Fisher's golden era, combining high-fidelity amplification with integrated FM/AM tuner and warm, musical sound.
• 432 — Solid-state stereo receiver from Fisher's 1971 lineup featuring 20 watts per channel, FM/AM tuner, and warm analog sound.
• 440-t — Fisher 440-T Receiver (1965) — 20W/channel solid-state stereo receiver with slide-rule tuning, walnut cabinet, and switchable impedance. A transitional classic from Fisher's mid-tier lineup.
• 440a — Vintage tube amplifier from Fisher's 1960s lineup, delivering 40 watts per channel with warm, audiophile-grade sound.
• 450-t — Vintage tube amplifier with integrated FM/AM tuner from Fisher's acclaimed 1960s series, delivering warm stereo sound and robust build quality.
• 500-B (1959) — High-fidelity tube stereo receiver from 1959 with 35 watts per channel and classic warm sound.
• 500-C (1959) — High-performance tube amplifier and FM stereo receiver from the golden era of hi-fi, renowned for its build quality and warm, musical sound.
• 500-tx — The Fisher 500-TX (1969–1972) delivers 65W/channel of transparent solid-state sound. Specs, history, and collector pricing for this top-tier vintage receiver.
• 500c (early 1960s) — Fisher 500C (1964) tube receiver, 35W/channel, 16.6kg — a warm, repairable classic of the hi-fi era
• 550-t — The Fisher 550-T (1966) delivers 35W/channel of warm, clear high-fidelity sound. Specs, collectibility, and service insights for this top-tier vintage receiver.
• 700-t (1962) — High-end tube stereo receiver from the early 1960s featuring 40 watts per channel, FM/AM tuner, and audiophile-grade sound.
• 701 — Fisher 701 stereo amplifier from 1963, featuring 40 watts of power, dual transformers, and warm, musical sound characteristic of early solid-state design.
• 701-t — Vintage tube amplifier from Fisher's 1960s lineup with 30 watts per channel and classic warm sound.
• 800-(a) (1959) — High-fidelity tube amplifier and receiver from Fisher's golden era, known for warm sound and premium build quality.
• 800-B (1961) — High-end tube receiver from the early stereo era with built-in tuner and preamplifier, known for warm sound and robust construction.
• 800-C (1963) — High-performance tube amplifier and receiver from Fisher, renowned for its lush sound and premium build quality.
• 800C — A tube-powered multi-integrated amplifier combining FM/AM tuner and pre-main amplifier in one chassis
• 801 — The Fisher 801 (1972) was a quadraphonic flagship receiver with dual amplifiers, autoscan tuning, and ultrasonic remote—Fisher's last great analog statement.
• A-691 (1969) — The Fisher AMBASSADOR A-691 is a high-fidelity stereo amplifier from the late 1960s, known for its robust build, warm tube-like sound, and classic design.
• AD-823 — A black, Japan-built CD player from Fisher’s Studio Standard line, produced in the mid-1980s.
• ALLEGRO A 192 — A solid-state console system from Fisher featuring a built-in FM tuner and turntable, produced in 1967.
• allegro-a-190 — Fisher Allegro A-190 receiver from 1971 featuring solid-state design with AM/FM tuner and warm midrange sound.
• ALLEGRO-A-9/A-19 (1968) — Fisher's ALLEGRO-A-9 and A-19 are high-fidelity preamplifiers from the late 1960s, representing the peak of tube-era audio refinement and minimalist audiophile design.
• ALLEGRO-II-A-9/A-19 (1968) — A rare and sophisticated Fisher preamplifier system from the late 1960s, combining high-fidelity design with modular flexibility.
• AMBASSADOR HS 360 — Fisher Ambassador HS-360 console system features a 15-inch bass driver and horn midrange, delivering warm, musical sound from Fisher's golden era.
• AMBASSADOR-II (A-910) (1968) — High-fidelity receiver from the late 1960s, combining robust build quality with classic tube-like warmth and precise AM/FM tuning.
• AMBASSADOR-VI (A-69) (1959) — High-fidelity vacuum tube amplifier from the late 1950s, known for rich sound and classic design.
• C-55 (1959) — Fisher Coronet II (C-55) receiver (1959–1960) with 12W/channel tube amp, slide-rule tuning, and stereo multiplex FM — a pioneer of early home stereo.
• CA-2220 — An integrated stereo DC amplifier from Fisher, produced between 1979 and 1982, noted for direct-coupled output and analog meters with green backlighting.
• CA-275 — A Studio-Standard integrated amplifier made in Japan, rated at 110 watts per channel.
• CA-800 — A solid-state integrated stereo amplifier crafted in Japan, part of Fisher's Studio Standard line.
• CONSOLETTE SERIES 61 — A tube-powered stereo console receiver with integrated AM/FM radio and record changer, built in 1958 by Fisher Radio Corporation.
• consolette-series-51 — High-end tube receiver from Fisher's 1959 console series featuring stereo amplification, FM/AM tuner, and classic mid-century design.
• consolette-series-510 — Vintage tube amplifier from Fisher's early stereo console series, featuring integrated FM/AM tuner and warm tube sound in a classic walnut cabinet.
• CORONET-II (C-55) (1964) — A classic mid-1960s receiver known for solid build quality and warm analog sound.
• CR-125 — A two-head stereo cassette deck with Dolby B noise reduction, made in Japan, produced for the Studio Standard line.
• CR-4025 — A twin-head cassette deck from Fisher with wireless remote control and Dolby B noise reduction, made in Japan.
• CUSTOM-ELECTRA IV (E33/E44) (1960) — A modular high-fidelity preamplifier system from Fisher's golden era, designed for audiophiles seeking customizable signal control.
• CUSTOM-ELECTRA-I (K-14/K-15) (1957) — A rare and innovative modular preamplifier system from Fisher, representing early high-fidelity customization and modular design in consumer audio.
• custom-electra-ii-(k-100) (1966) — High-end tube receiver from Fisher's 1960s lineup with 100 watts mono output and integrated FM/AM tuner.
• CUSTOM-ELECTRA-VII (E49) (1958) — High-fidelity vacuum tube stereo amplifier from the late 1950s, known for rich sound and modular design.
• custom-futura-(j-10) — Fisher Custom Futura (J-10) stereo tube amplifier from 1959 with 10 watts per channel and AM/FM tuner.
• D-391 (1968) — The Fisher DIPLOMAT D-391 is a high-fidelity receiver from the late 1960s, known for its robust build and warm analog sound.
• D-393 (1968) — Fisher D-393 Diplomat console speaker (1968) — listed in archives but with no confirmed specs or production details.
• DD-280 — A direct drive stereo cassette deck manufactured in Japan, part of Fisher's Studio Standard line.
• DD-350 — A direct drive stereo cassette deck with Dolby B noise reduction, made in Japan.
• DIPLOMAT-D-38 (1965) — The Fisher DIPLOMAT-D-38 is a high-fidelity receiver from the mid-1960s, known for its robust build, warm tube-based sound, and elegant design.
• DS 152 — A 3-way speaker system from Fisher's late 1970s lineup, noted for solid build and sound quality compared to later models.
• EQ-272 — A stereo graphic equalizer made in Japan during Fisher’s late-1980s audio equipment run.
• EQ-275 — A 12-band-per-channel stereo graphic equalizer made in Japan during Fisher’s late-era high-fidelity equipment run.
• EXECUTIVE 971 — Fisher Executive 971 (1966) console with 75W output and Dual 1009 turntable — a high-end 1960s audio statement with warm midrange character.
• EXECUTIVE VII 990 — A floor-standing console system from Fisher’s premium line, featuring Multiplex-ready stereo capability and high power output for its era.
• EXECUTIVE X 970 — Fisher Executive X 970 (1965) console with 75W tube amplifier, Dual 1009 turntable, and Ampex 4452 reel-to-reel—luxury hi-fi from the mid-60s.
• executive-ii-1000 (1975) — High-end floor-standing speaker from Fisher's Executive series with 3-way design and acoustic suspension cabinet.
• FM-100 (1961) — FM-only tube tuner from Fisher's early 1960s lineup with excellent sensitivity and classic slide-rule tuning.
• FM-100-B (1963) — FM-only tube tuner from Fisher's early 1960s lineup, known for warm sound and precision tuning.
• FM-100-C (1960) — The Fisher FM-100-C (1964–1969) is a tube FM tuner with analog tuning and walnut cabinet option. Specs, history, and collector pricing.
• FM-1000 (1968) — High-performance FM/AM tuner from Fisher's golden era, featuring tube-based design and advanced reception capabilities.
• FM-120 — A solid-state AM/FM stereo tuner from Fisher, produced in 1977, featuring stereo RCA outputs and noted for strong FM reception.
• FM-200 (1971) — The Fisher FM-200 (1960) was the last great mono FM tuner before stereo made it obsolete. Tube-powered, feature-packed, and built in the USA. Specs, history, and rarity.
• FM-200-B (1964) — Fisher FM-200-B tube FM/AM tuner from 1964 with warm sound and classic slide-rule dial.
• FM-200-C (1966) — High-fidelity FM/AM tuner from Fisher's solid-state transition era featuring FET front end and PLL stereo decoding.
• FM-50 (1959) — Fisher FM-50 tube-based FM tuner from 1959 with early stereo readiness and high-fidelity performance.
• FM-50-B (1964) — FM/AM tuner with stereo decoding and solid-state transition design from Fisher's 1960s lineup.
• FM-90-X (1966) — Fisher FM-90-X solid-state FM/AM tuner from 1966 with stereo decoding and precision tuning features.
• FMR-1 — Fisher FM-1000/FMR-1 Broadcast Monitor Tuner (1961) — 18-tube FM stereo tuner with dual nuvistor front-end, 1.5 µV sensitivity, and rack-mount design. A broadcast-grade relic for purists.
• FUTURA II F 210 — A console-style stereo receiver from Fisher’s mid-century lineup, combining amplifier, tuner, and turntable in one unit.
• FUTURA VI F 590 — A console stereo combining tube and transistor technology, part of Fisher’s premium Futura series.
• KX 200 — A stereophonic master control-amplifier from Fisher’s golden age of tube audio.
• MC-723BK — A mid-1980s audio component system combining AM/FM stereo radio, turntable, and dual cassette functionality, manufactured by Fisher.
• metropolitan-m-4592 — The 1967 Fisher Metropolitan M-4592 console pairs a 45W solid-state amp with a Dual 1014 turntable—mid-century hi-fi at its most cohesive.
• MF 300 — A mid-tier FM/AM stereo tuner with motorized tuning and remote control options
• MF-320 (1970) — FM/AM tuner with solid-state design and slide-rule tuning from Fisher's 1970s consumer lineup.
• MT-35 — A belt-drive turntable made in Japan, part of Fisher's mid-1980s component system lineup.
• MT-6010 — A semi-automatic turntable from Fisher, advertised in 1976 with quartz speed control and a two-speed belt drive design.
• MT-6220 — A two-speed belt-drive turntable made in Japan, featuring a DC servo motor and variable speed control.
• PHILHARMONIC P 22 — A tube-powered AM/FM/FM stereo receiver and phonograph console produced around 1961.
• PHILHARMONIC P 291 — A solid-state radio-phonograph console with AM/FM tuner and Garrard turntable, made during Fisher’s high-fidelity peak.
• PHILHARMONIC P 294 — Fisher PHILHARMONIC P 294 (1968–1970) — 25W/channel stereo receiver with AM/FM tuner and 400mV line output. A mid-tier classic with modest power and enduring appeal.
• philharmonic-ii-p-25 — Fisher Philharmonic II P-25 solid-state receiver from 1969 with 25 watts per channel, FM/AM tuner, and warm midrange sound signature.
• philharmonic-iv-p-29 — Fisher Philharmonic IV P-29 solid-state receiver from 1968 with 50 watts per channel, FM/AM tuner, and warm vintage sound signature.
• premiere-f-220 — Fisher Premiere F-220 solid-state receiver from 1970 with 20 watts per channel and AM/FM tuner.
• PRESIDENT 9011 — A high-end console audio system from Fisher’s 1966 President line, combining tube and transistor electronics in a classic wood cabinet.
• PRESIDENT III 3000 2 — Fisher President III 3000-2 (1959) floor-standing console speaker, 8-ohm impedance, 12-inch woofer — a high-priced relic from American hi-fi's golden age
• PRESIDENT V VI 4000 6000 — A rare, high-end console stereo system released by Fisher in 1961, available in two model variants with substantial tube-based amplification.
• PRESIDENT VII 7000 — A floor-standing console model from Fisher, designed for multiplex stereo reception and available with or without a tape recorder.
• president-ix-9000 (1969) — High-end 3-way acoustic suspension loudspeaker from Fisher's prestigious President series, featuring a 12-inch woofer and horn-loaded midrange for balanced, warm sound reproduction.
• president-x-9010 (1975) — The 1965 Fisher President X-9010 console combines tube-powered audio excellence with solid walnut furniture—rare, heavy, and sonically timeless.
• promenade-310 — The 1959 Fisher Promenade-310 console blends true stereo sound, tube warmth, and mid-century design in a single iconic American hi-fi package.
• promenade-ii-320 — Solid-state stereo receiver from Fisher's 1970s mid-range lineup, featuring 20 watts per channel, AM/FM tuner, and warm musical sound.
• PROVANCE-MEDALIST-II-(R-20) (1963) — Fisher ProVance Medalist II R-20 stereo receiver from 1963 featuring. 20 watts per channel, AM/FM tuner, and classic tube audio design.
• R-200 (1964) — FM/AM tuner with tube-based circuitry and stereo decoding from Fisher's classic 1960s lineup.
• REGENT II 6000 — A high-end tube-transistor hybrid console system from Fisher's 1964 lineup, featuring dual power meters and integrated Ampex tape recording.
• REGENT R592 — Fisher Regent R-592 (1967) stereo receiver — part of a console system with Dual 1014 turntable. Original price near $950. Power output disputed: 120W claimed, 18–20W reported.
• RS 1060 — A high-powered AM/FM stereo receiver from Fisher’s late 1970s lineup, noted for its robust build and vintage audio character
• RS 625 — Fisher RS 625 (1976–1977) stereo receiver: 25W/channel solid-state tuner-amp in walnut veneer. A mid-tier relic from Fisher’s Emerson era.
• RS-1056 (1978) — Fisher RS-1056 solid-state preamp from 1978 featuring dual power meters and warm midrange sound typical of late-70s Fisher design.
• RS-2003 — A Japanese-built AM/FM stereo receiver from Fisher’s late-1970s Studio-Standard line.
• RS-2004 — A solid-state AM/FM stereo receiver built in Japan for the European market, featuring a 5-band equalizer and 45 watts per channel into 8Ω.
• series-101 — Solid-state stereo receiver from Fisher's late 1960s lineup featuring AM/FM tuner and warm musical sound.
• series-202 — Solid-state stereo receiver from Fisher's mid-range 1970s lineup featuring 20 watts per channel and classic warm sound.
• STATESMAN-II (S-70) (1969) — A high-fidelity integrated receiver from the golden era of audio, known for its robust build and warm analog sound.
• STV 420 — A three-way floor-standing passive speaker system from Fisher, produced around 1975.
• STV 884 — Floor-standing loudspeakers with a 15” woofer, made by Fisher during the late 1970s to early 1980s.
• STV 9538 — Floor-standing 3-way tower speakers from Fisher’s mid-range consumer lineup
• TFM-1000 (1964) — High-end FM-AM tuner from Fisher's 1960s lineup featuring FET front end and multiplex stereo decoding.
• TFM-300 (1963) — Fisher TFM-300 FM/AM tuner from 1963, part of Fisher's respected tube-based tuner series known for excellent FM reception and build quality during the early stereo broadcasting era.
• TX 1000 — A 120-watt IHF music power stereo receiver produced by Fisher from 1967 to 1970.
• TX-200 (1966) — Fisher TX-200 solid-state stereo receiver from the mid-1960s with warm sound and robust build quality.
• TX-50 (1963) — Fisher TX-50 solid-state stereo amplifier from 1963 with warm sound signature and classic hi-fi design.
• X 100 — A tube-powered integrated amplifier from the early 1960s, known for its use with efficient speakers and restoration potential.
• X 100 A — A tube-powered integrated amplifier produced from 1962 to 1964, delivering 17 watts per channel into 8Ω with a valve complement of 5 x ECC83 and 4 x 7189.
• X 100 B — A stereo integrated tube amplifier from Fisher, introduced in 1962 and sold through 1964.
• X 101 — A stereo integrated tube amplifier introduced by Fisher in the late 1950s as part of their early stereo lineup.
• X 101 C — A stereo integrated tube amplifier produced by Fisher Radio Corporation in the early 1960s.
• X 101 D — A stereo integrated tube amplifier using 6 x ECC83 and 4 x 7591 valves, noted for its advanced 60-watt design and large output transformers.
• X 202 B — A stereo integrated tube amplifier produced by Fisher from 1961 to 1963 with 40 watts per channel output.
• XP 56S — Fisher XP-56S (1970s) bookshelf speakers feature 8-inch woofers, 50W RMS, and acoustic suspension design—American-built with mixed reviews.
• XP 66C — A floor-standing speaker system from Fisher, advertised as a high-value hi-fi component in the early 1970s.
• XP-10 — Floor-standing Consolette speaker introduced as Fisher’s flagship in 1965, notable for debuting the soft dome tweeter invented by William Hecht.
• XP-2 — Fisher XP-2 (1961–1963) — 10-inch 3-way speaker with 5-inch mid and 3.5-inch tweeter in a 22-inch cabinet. A premium US-built hi-fi relic.
• XP-33 — Fisher XP-33 speakers, known as 'The Little Giant Speaker System,' are compact high-efficiency speakers designed for space-constrained installations.
• XP-55B — A compact two-way bookshelf speaker from Fisher’s mid-century lineup, noted for its acoustic suspension design and extended bass response.
• XP-6 — A bookshelf speaker system from Fisher's 1960s Heritage Series, produced as part of a broader speaker lineup replacement