AMS Neve

Explore 40 AMS Neve vintage synthesizer models — specs, production history, reviews, and market values in the VTA archive.

Audio Interfaces

• 88M — The AMS Neve 88M packs the legendary 88RS console preamp into a bus-powered desktop interface — real transformers, real weight, real Neve sound.

Compressors

• 336309 — The AMS Neve 33609/N is a modern recreation of the classic 2254 compressor, prized for its smooth, musical dynamics control and transformer-coupled analog warmth.

Consoles

• 8068 — The AMS Neve 8068 (1976–1977) is a legendary analog console renowned for its Class-A sound, Carnhill transformers, and in-line monitor design.
• 8424 — The AMS Neve 8424 (2020s) is a 24-channel analog console with 1073 preamps, Marinair transformers, and snapshot recall — built for hybrid studios. Specs, pricing, and real-world use.
• 88RS — The AMS Neve 88RS (1998) is the Rolls Royce of analogue consoles—48 channels, 100kHz bandwidth, and built for surround. Specs, history, and studio use.
• BCM10/2 Mk2 — The AMS Neve BCM10/2 Mk2 revives a 1970s broadcast console with authentic 1073 preamps, voltage mixing, and modern routing—Neve's analog magic rebuilt for today's studio.
• BCM32/2 Mk2 — The AMS Neve BCM32/2 Mk2 revives a rare 1970 broadcast console as a 32-channel analogue powerhouse with 1073/1084 preamps, 2264ALB compressors, and 5.1 monitoring.
• Genesys — The AMS Neve Genesys blends 1073 preamps & DAW control in a modular console. Specs, Genesys Black vs G3D, and real owner pricing.

Delay Pitch Shifter Sampler

• DMX 15-80 (1979) — The AMS Neve DMX 15-80 (1978) was the first microprocessor-controlled digital delay, defining the sound of 1980s music with its pitch-shifting, stereo delays, and studio innovation.

Preamps

• 1063 — The Neve 1063 was the first silicon-based preamp from Rupert Neve, a prototype-grade module that paved the way for the legendary 1073.
• 1066 — The AMS Neve 1066 channel amp delivers Class A warmth, 3-band EQ, and vintage Neve clarity. Specs, pricing, and sonic traits of this sought-after unit.
• 1073 — The AMS Neve 1073 (1970) is the most famous mic preamp in history. Transformer-balanced, Class-A, 3-band EQ. Specs, history, and collector value.
• 1081 — The AMS Neve 1081 (1972) is a hand-built, transformer-balanced mic preamp & EQ with ±18dB parametric mids. Specs, history, and current pricing.
• 1084 — The AMS Neve 1084 is a vintage mic preamp and EQ module with selectable Q, expanded filters, and legendary Neve transformer sound.

Signal Processors

• 31105 — The AMS Neve 31105 is a rare, console-grade mic preamp and 4-band EQ from the late 1970s, prized for its musical clarity and transformer-driven warmth.
• DFC3D Gemini — The AMS Neve DFC3D Gemini is the console behind Oblivion—the first film mixed in Dolby Atmos. 1,000 paths, RMX-16 reverb, 3D panning.

Other Models

• AMS Neve — Vintage Synthesizer — Explore 40 AMS Neve vintage synthesizer models — specs, production history, reviews, and market values in the VTA archive.
• 1063 — The Neve 1063 was the first silicon-based preamp from Rupert Neve, a prototype-grade module that paved the way for the legendary 1073.
• 1066 — The AMS Neve 1066 channel amp delivers Class A warmth, 3-band EQ, and vintage Neve clarity. Specs, pricing, and sonic traits of this sought-after unit.
• 1073 — The AMS Neve 1073 (1970) is the most famous mic preamp in history. Transformer-balanced, Class-A, 3-band EQ. Specs, history, and collector value.
• 1081 — The AMS Neve 1081 (1972) is a hand-built, transformer-balanced mic preamp & EQ with ±18dB parametric mids. Specs, history, and current pricing.
• 1084 — The AMS Neve 1084 is a vintage mic preamp and EQ module with selectable Q, expanded filters, and legendary Neve transformer sound.
• 2254 — The AMS Neve 2254/R (1969) is a hand-built, transformer-coupled mono limiter/compressor with discrete Class-A design. Specs, sound, and collector pricing.
• 2264A — The AMS Neve 2264A (1974) is a legendary diode-bridge compressor with hand-wound transformers. Specs, history, and why it still rules the mix bus.
• 31105 — The AMS Neve 31105 is a rare, console-grade mic preamp and 4-band EQ from the late 1970s, prized for its musical clarity and transformer-driven warmth.
• 33609 — The AMS Neve 33609 (mid-1970s) is the legendary stereo compressor born from the 2254 console module. Smooth, musical, and built to last—specs, history, and current pricing.
• 33609/J — The AMS Neve 33609/J delivers twin-channel discrete compression with Marinair transformers and diode-bridge limiting. Specs, history, and collector pricing.
• 33609/JD — The AMS Neve 33609/JD is a hand-built, discrete twin compressor/limiter with Marinair transformers and a legacy tracing back to the 1969 2254. Specs, sound, and pricing.
• 33609/N — The AMS Neve 33609/N (2000s) is the reference stereo compressor used by top engineers for mixing, mastering, and tracking. Discrete Class-A, diode-bridge design, hand-wired transformers. Full specs an…
• 33609JD — The AMS Neve 33609JD (modern reissue) delivers legendary 2254-based compression with brick-wall limiting. Specs, sound, and current pricing.
• 33609N — The AMS Neve 33609N delivers legendary glue with discrete analog compression, Marinair transformers, and diode-bridge circuitry. Specs, history, and collector pricing.
• 336309 — The AMS Neve 33609/N is a modern recreation of the classic 2254 compressor, prized for its smooth, musical dynamics control and transformer-coupled analog warmth.
• 8068 — The AMS Neve 8068 (1976–1977) is a legendary analog console renowned for its Class-A sound, Carnhill transformers, and in-line monitor design.
• 8424 — The AMS Neve 8424 (2020s) is a 24-channel analog console with 1073 preamps, Marinair transformers, and snapshot recall — built for hybrid studios. Specs, pricing, and real-world use.
• 8801 — The AMS Neve 8801 brings the legendary 88RS console sound into 1U. Transformer preamp, 4-band EQ, recallable settings, and converters that rival high-end standalones.
• 8801 Channel Strip — The AMS Neve 8801 Channel Strip delivers the legendary 88R console sound in 1U—transformer-coupled preamp, recallable signal path, and Marinair magic. Specs, pricing, and real-world performance.
• 88D — The AMS Neve 88D mixes 1000 tracks at 96kHz with 40-bit floating-point power and real 1081R preamps. Is this the greatest digital console ever made? Specs, pricing, and user truth.
• 88M — The AMS Neve 88M packs the legendary 88RS console preamp into a bus-powered desktop interface — real transformers, real weight, real Neve sound.
• 88R — The AMS Neve 88R (2001) is the rare, sought-after console behind Daft Punk’s Random Access Memories. Specs, history, and collectibility of Neve’s modern analog flagship.
• 88RS — The AMS Neve 88RS (1998) is the Rolls Royce of analogue consoles—48 channels, 100kHz bandwidth, and built for surround. Specs, history, and studio use.
• BCM10/2 Mk2 — The AMS Neve BCM10/2 Mk2 revives a 1970s broadcast console with authentic 1073 preamps, voltage mixing, and modern routing—Neve's analog magic rebuilt for today's studio.
• BCM32/2 Mk2 — The AMS Neve BCM32/2 Mk2 revives a rare 1970 broadcast console as a 32-channel analogue powerhouse with 1073/1084 preamps, 2264ALB compressors, and 5.1 monitoring.
• DFC — The AMS Neve DFC (1996) was the world's first digital film console—used on The Matrix, Oscars, and 70% of blockbusters. Specs, history, and Neve sound.
• DFC Gemini — The AMS Neve DFC Gemini is a 40-fader digital film console used in Dolby Atmos stages and by engineers like Andy Nelson. Specs, history, and market price.
• DFC PS-1 — The AMS Neve DFC PS-1 brings Hollywood-grade post production power to smaller studios — 16 faders, 1000 audio paths, and Neve sound. Specs, history, and context.
• DFC3D — The AMS Neve DFC3D (2016) is the first console built for Dolby Atmos, with 1,000 audio paths and native 3D panning. Specs, history, and real-world use.
• DFC3D Gemini — The AMS Neve DFC3D Gemini is the console behind Oblivion—the first film mixed in Dolby Atmos. 1,000 paths, RMX-16 reverb, 3D panning.
• DMC — The AMS Neve DMC is a digital console built for film & TV post—featuring XSP processing, MADI I/O, and Encore:2 automation. Specs, history, and context.
• DMX 15-80 (1979) — The AMS Neve DMX 15-80 (1978) was the first microprocessor-controlled digital delay, defining the sound of 1980s music with its pitch-shifting, stereo delays, and studio innovation.
• Genesys — The AMS Neve Genesys blends 1073 preamps & DAW control in a modular console. Specs, Genesys Black vs G3D, and real owner pricing.
• Genesys G3D — The AMS Neve Genesys G3D (2024) is the world’s first object-based console, enabling 3D analogue mixing with Dolby Atmos. Specs, pricing, and hands-on details.
• Libra Live — The AMS Neve Libra Live Series II is a 42-fader digital broadcast console built for live TV and 5.1 surround mixes. Used by Comcast SportsNet in 2003 — see specs, history, and real-world use.
• Libra Post — The AMS Neve Libra Post is a 96-channel digital console revered in post production. Specs, I/O, and real owner insights on upkeep, upgrades, and why parts are rarer than whole units.
• PS1 — The AMS Neve PS1 (2018) is a 16-fader, Atmos-ready DSP console built for immersive audio. Specs, pricing, and rarity of this £40k UK console.
• RMX16 500 — The AMS Neve RMX16 500 brings the iconic 1980s digital reverb sound into a 500-series format with all original algorithms and modern reliability.
• RMX16 500 Series — The AMS Neve RMX16 500 Series brings the iconic '80s digital reverb into modern studios with authentic algorithms and hands-on control.