Mamiya

Explore 16 Mamiya vintage camera models — specs, production history, reviews, and market values in the VTA archive.

Medium Format

• 645 — A medium format film camera system produced from 1985 to 1993, part of Mamiya's 645 series with interchangeable components and aperture-priority exposure
• 645 AF — A medium format SLR camera with autofocus, built for professional use and long-term reliability
• 645 AFD — A fully electronic medium format SLR camera introduced in 2001, featuring autofocus and support for both film and digital backs.
• 645 Pro — A medium format SLR camera system introduced in 1993, known for its balance, bright viewfinder, and quiet operation.
• 645 Super — A medium format single-lens reflex film camera produced from 1985 to 1993, part of Mamiya's modular 645 system and typically sold with an 80mm f/2.8 lens
• 645E — A medium format film SLR camera introduced in 2000 as an entry-level model in Mamiya’s 645 system, featuring aperture-priority exposure and electronic
• C33 — A twin-lens reflex camera using 120 film, released in 1965 as part of Mamiya's professional C series.
• Press Super 23 — A press camera from the 1960s with interchangeable lenses and backs, designed for 6x7 or 6x9 cm film formats.
• RB67 Professional — A mechanical medium format SLR system camera, known for its robust build and studio reliability.
• RB67 Professional SD — A modular medium format SLR film camera with a 6x7cm image format, introduced in 1990 as a fully mechanical system designed for studio and field use.
• RZ67 Pro — A professional medium-format camera system introduced in 1982, known for its electronic shutter and studio durability.
• RZ67 Professional II — A medium format SLR camera introduced in 1995, featuring electronic controls and precision focusing enhancements.
• Universal Press — A medium format press camera system documented in Mamiya literature from the early 1970s through the late 1970s.

Rangefinder

• 7 (1995-2014) — Featuring interchangeable lenses with built-in leaf shutters, coupled rangefinder focusing, and through-the-lens mete.... Full specifications and review.

Slr

• 1000 DTL — A 35mm SLR that pioneered dual-pattern TTL metering with M42 screw-mount compatibility.
• 500 DTL — A 35mm single-lens reflex camera introduced by Mamiya in 1968, part of the Mamiya/Sekor TL/DTL series and typically supplied with a 50mm f/2 lens.
• M645 (1975–1987) — 5cm medium format single-lens reflex (SLR) cameras. Full specifications and review.
• M645 1000S (1976-1990) — Designed as an evolution of the original M645, the 1000S introduced a faster maximum shutter speed of 1/1000 second, .... Full specifications and review.
• M645 Super (1985-1999) — Designed for professional and serious amateur photographers, it combines the flexibility of interchangeable film back.... Full specifications and review.
• M645J (1979–1983) — Designed for photographers seeking the advantages of 6x4. Full specifications and review.
• MSX 1000 — A 35mm SLR camera with mechanical operation and built-in TTL manual metering, produced by Mamiya in the mid-1970s.
• NC 1000 — A compact and lightweight 35mm bayonet-mount automatic SLR camera introduced in 1978 as part of Mamiya’s new NC series.
• NC1000 — A compact 35mm SLR from Mamiya, released in 1978, featuring an electronic shutter and the new CS bayonet mount.
• RB67 (1970-1990) — A modular, rotating-back medium format SLR so overbuilt it could survive a fall from a tripod—and often did.
• RB67 Pro (1970-1974) — The Mamiya RB67 Pro is the inaugural model in Mamiya’s renowned RB67 series of professional medium format single-lens reflex (SLR) cameras. Introduced in
• RB67 Pro-S (1974-1990) — The Mamiya RB67 Pro-S is a professional-grade, modular medium format single-lens reflex (SLR) camera introduced in 1974 as an upgraded version of the
• RB67 Pro-SD (1990–1998) — Introduced in 1990, it combines mechanical robustness with improved lens compatibility and user ergonomics, serving a.... Full specifications and review.
• RZ67 (1982-2004) — A modular, leaf-shuttered titan that brought precision, flexibility, and TTL metering to professional 6x7cm photography—where image quality was non-negotiable.
• RZ67 Pro II (1993–2004) — The Mamiya RZ67 Pro II is a professional-grade medium format single-lens reflex (SLR) camera introduced in 1993 as an advanced evolution of the original
• RZ67 Professional (1982–1993) — The Mamiya RZ67 Professional is a modular, medium-format single-lens reflex (SLR) camera introduced in 1982 as the electronic evolution of the highly

Tlr

• C220 (1968-1975) — The Mamiya C220 is a twin-lens reflex (TLR) medium format camera introduced in 1968 as a simplified, cost-effective alternative to Mamiya’s flagship C330
• C220f (1970s-1980s) — A simplified twin-lens reflex camera designed for entry-level use in Mamiya's professional TLR lineup
• C330 (1969-1974) — The Mamiya C330 is a professional-grade twin-lens reflex (TLR) medium format film camera produced by Mamiya from 1969 to 1974. Designed for studio and
• C330f (1975-1983) — The Mamiya C330f is a professional-grade twin-lens reflex (TLR) medium format camera introduced in 1975 as an updated version of the highly regarded C330
• C330S (1983–1994) — The Mamiya C330S is the final and most refined version of Mamiya’s professional twin-lens reflex (TLR) camera series, representing the culmination of

Other Models

• Mamiya — Vintage Camera — Explore 16 Mamiya vintage camera models — specs, production history, reviews, and market values in the VTA archive.
• 1000 DTL — A 35mm SLR that pioneered dual-pattern TTL metering with M42 screw-mount compatibility.
• 127mm — A medium format standard lens with leaf shutter, made in Japan for the Mamiya RB67 system
• 150mm — An interchangeable lens with built-in electronic leaf shutter, designed for the Mamiya 6 rangefinder camera.
• 210mm — A short telephoto prime lens for the Mamiya RZ67 medium format system, featuring apochromatic correction and a built-in Seiko #1 shutter.
• 300mm — A medium format autofocus telephoto lens for the Mamiya 645AF and Phase One systems, noted as the longest in the 645 lineup at its release.
• 500 DTL — A 35mm single-lens reflex camera introduced by Mamiya in 1968, part of the Mamiya/Sekor TL/DTL series and typically supplied with a 50mm f/2 lens.
• 500TL — A 35mm SLR camera with spot metering and M42 screwmount, introduced at Photokina 1966
• 55-110mm — An autofocus zoom lens built for Mamiya's 645AF system, offering a 35mm equivalent range of 34–68mm
• 55mm — A standard prime lens for the Mamiya 645 system, part of the Sekor C N series.
• 645 — A medium format film camera system produced from 1985 to 1993, part of Mamiya's 645 series with interchangeable components and aperture-priority exposure
• 645 AF — A medium format SLR camera with autofocus, built for professional use and long-term reliability
• 645 AFD — A fully electronic medium format SLR camera introduced in 2001, featuring autofocus and support for both film and digital backs.
• 645 Pro — A medium format SLR camera system introduced in 1993, known for its balance, bright viewfinder, and quiet operation.
• 645 Super — A medium format single-lens reflex film camera produced from 1985 to 1993, part of Mamiya's modular 645 system and typically sold with an 80mm f/2.8 lens
• 645AF — A medium format film camera with autofocus, built-in power winder and AE prism finder
• 645E — A medium format film SLR camera introduced in 2000 as an entry-level model in Mamiya’s 645 system, featuring aperture-priority exposure and electronic
• 65mm — A wide-angle lens for Mamiya TLR cameras with a 63° angle of view and f/3.5 maximum aperture
• 7 (1995-2014) — Featuring interchangeable lenses with built-in leaf shutters, coupled rangefinder focusing, and through-the-lens mete.... Full specifications and review.
• 80mm — An interchangeable medium format lens with an electronic leaf shutter, designed for the Mamiya 7 system
• 90mm — A standard prime lens for the Mamiya RB67 medium format camera system, introduced in 1974.
• C220 (1968-1975) — The Mamiya C220 is a twin-lens reflex (TLR) medium format camera introduced in 1968 as a simplified, cost-effective alternative to Mamiya’s flagship C330
• C220f (1970s-1980s) — A simplified twin-lens reflex camera designed for entry-level use in Mamiya's professional TLR lineup
• C33 — A twin-lens reflex camera using 120 film, released in 1965 as part of Mamiya's professional C series.
• C330 (1969-1974) — The Mamiya C330 is a professional-grade twin-lens reflex (TLR) medium format film camera produced by Mamiya from 1969 to 1974. Designed for studio and
• C330f (1975-1983) — The Mamiya C330f is a professional-grade twin-lens reflex (TLR) medium format camera introduced in 1975 as an updated version of the highly regarded C330
• C330S (1983–1994) — The Mamiya C330S is the final and most refined version of Mamiya’s professional twin-lens reflex (TLR) camera series, representing the culmination of
• HM401 — A 645 format roll film back for Mamiya 645AF series cameras, supporting both 120 and 220 film
• M645 (1975–1987) — 5cm medium format single-lens reflex (SLR) cameras. Full specifications and review.
• M645 1000S (1976-1990) — Designed as an evolution of the original M645, the 1000S introduced a faster maximum shutter speed of 1/1000 second, .... Full specifications and review.
• M645 Super (1985-1999) — Designed for professional and serious amateur photographers, it combines the flexibility of interchangeable film back.... Full specifications and review.
• M645J (1979–1983) — Designed for photographers seeking the advantages of 6x4. Full specifications and review.
• MSX 1000 — A 35mm SLR camera with mechanical operation and built-in TTL manual metering, produced by Mamiya in the mid-1970s.
• NC 1000 — A compact and lightweight 35mm bayonet-mount automatic SLR camera introduced in 1978 as part of Mamiya’s new NC series.
• NC1000 — A compact 35mm SLR from Mamiya, released in 1978, featuring an electronic shutter and the new CS bayonet mount.
• Press Super 23 — A press camera from the 1960s with interchangeable lenses and backs, designed for 6x7 or 6x9 cm film formats.
• RB67 (1970-1990) — A modular, rotating-back medium format SLR so overbuilt it could survive a fall from a tripod—and often did.
• RB67 Pro (1970-1974) — The Mamiya RB67 Pro is the inaugural model in Mamiya’s renowned RB67 series of professional medium format single-lens reflex (SLR) cameras. Introduced in
• RB67 Pro-S (1974-1990) — The Mamiya RB67 Pro-S is a professional-grade, modular medium format single-lens reflex (SLR) camera introduced in 1974 as an upgraded version of the
• RB67 Pro-SD (1990–1998) — Introduced in 1990, it combines mechanical robustness with improved lens compatibility and user ergonomics, serving a.... Full specifications and review.
• RB67 Professional — A mechanical medium format SLR system camera, known for its robust build and studio reliability.
• RB67 Professional SD — A modular medium format SLR film camera with a 6x7cm image format, introduced in 1990 as a fully mechanical system designed for studio and field use.
• RZ67 (1982-2004) — A modular, leaf-shuttered titan that brought precision, flexibility, and TTL metering to professional 6x7cm photography—where image quality was non-negotiable.
• RZ67 Pro — A professional medium-format camera system introduced in 1982, known for its electronic shutter and studio durability.
• RZ67 Pro II (1993–2004) — The Mamiya RZ67 Pro II is a professional-grade medium format single-lens reflex (SLR) camera introduced in 1993 as an advanced evolution of the original
• RZ67 Professional (1982–1993) — The Mamiya RZ67 Professional is a modular, medium-format single-lens reflex (SLR) camera introduced in 1982 as the electronic evolution of the highly
• RZ67 Professional II — A medium format SLR camera introduced in 1995, featuring electronic controls and precision focusing enhancements.
• Universal Press — A medium format press camera system documented in Mamiya literature from the early 1970s through the late 1970s.